Logo de la Flute de PanRecherche sur laflutedepan.com


                     
 
mon panier
   PANIER   


Mon Compte
   CONNEXION   



Mes commandes
   COMMANDES   


   
    accueil-laflutedepan     chevron fil ariane
  LIVRES  
 chevron fil ariane chevron fil ariane
  LES EPOQUES  
 chevron fil ariane
  BAROQUE  
  





Interpreting the musical past : early music in nineteenth-century France

Interpreting the musical past : early music in nineteenth-century France
Katharine ELLIS


Livre - Broché

Oxford University Press


Codes EAN, ISBN et ISMN 9780195365856

324 pages - Oxford - 2008

57.20 €
EN STOCK
• Expédition immédiate !

30 jours pour changer d'avis !

Avis clients4.9
Ajouter au panier
flutedepan_livraison-gratuite

In an era of heightened patriotic fervor following France's defeat in the Franco-Prussian War, Parisians packed concert halls to hear performances of Handel's oratorios and Bach's organ works. At the same time, both royalists and republicans called for the re-evaluation of the once detested musique française of the ancien régime.

Musicologist Katharine Ellis examines these unlikely aspects of cultural life in the new Republic as part of a broader study of the early music revival in nineteenth-century France. This revival gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches and other creative negotiations between past and present. Descriptions of these phenomena by contemporary witnesses reveal how dissent could run along social, religious and political lines, and why certain genres became idealized while others were disparaged.

After providing an overview of trends and contexts throughout the century, Ellis examines specific repertoires that evoked unusually spirited advocacy and debate. She explores the attempts to revive French Baroque stage music in the 1870s; arguments on the appropriateness of Palestrina's liturgical music; the reception of Bach and Handel, and their relation to French choral activity; and, finally, musical "Frenchness." Four case-study chapters focus on key debates and repertories stretching from Adam de la Halle to Rameau, via Josquin, Janequin, Palestrina, Bach and Handel.


57.20
flutedepan_filetflutedepan_filet


 

NOS SUGGESTIONS...

Le discours musical : pour une nouvelle conception de la musique NIKOLAUS HARNONCOURT
Le discours musical : pour une nouvelle conception de la musique 

Tel
Les règles de l'interprétation musicale à l'époque baroqueVEILHAN JEAN-CLAUDE
Les règles de l'interprétation musicale à l'époque baroque


Vocabulaire de l'ornementation baroque - DOUSSOT Joëlle-Elmyre - LivreDOUSSOT JOËLLE-ELMYRE
Vocabulaire de l'ornementation baroque

Musique ouverte - Série vocabulaire
La Musique Baroque PALISCA Claude V. Livre Les EpoquesPALISCA CLAUDE V.
La Musique Baroque

Musique
Le dialogue musical : Monteverdi, Bach et MozartNIKOLAUS HARNONCOURT
Le dialogue musical : Monteverdi, Bach et Mozart

Arcades, n° 7
Le langage musical baroque : éléments et structures - Laurent FICHETLAURENT FICHET
Le langage musical baroque : éléments et structures 

Musique ouverte
Poétique musicale Joachim BURMEISTER Livre Les EpoquesJOACHIM BURMEISTER
Poétique musicale

Rythmologies
Aborder le répertoire baroque sur la flûte - ALIZON Jean-FrançoisALIZON JEAN-FRANÇOIS
Aborder le répertoire baroque sur la flûte

Sciences de l'éducation musicale
Badge Google Avis clients