PANIER

 
LA

PARTITIONSLIVRESACCESSOIRESPAPETERIEBesoin d'aide ?NOS MAGASINSMON COMPTE 
LES THÉMATIQUESOUVRAGES GÉNÉRAUXÉCRITUREENSEIGNEMENTPOUR LES ENFANTS
LES HOMMESLES OEUVRESLES EPOQUESLES SCIENCESLES ARTSLES INSTRUMENTSLES PAYS
OUVRAGES GENERAUXCORDESBOISCUIVRESPIANOORGUEPERCUSSIONS
A DÉCOUVRIR
margaret-campbell-the-great-cellists-CAMPBELL MARGARET
The great cellists

FABER AND FABER
29.00 €
steve-waksman-instruments-of-desire:-the-electric-guitar-and-the-shaping-of-musical-experience-WAKSMAN STEVE
Instruments of desire: the electric guitar and the shaping of musical experience

HARVARD UNIVERSITY PRESS
35.00 €
lucci-raffaella-marchini-rodolfo-conoscere-la-liuteria-capolavori-inediti-dall-archivio-lucci-marchini-vol-2-LUCCI RAFFAELLA / MARCHINI RODOLFO
Conoscere la Liuteria, Capolavori inediti dall'Archivio Lucci-Marchini, vol. 2

IL SALABUE
340.00 €
jean-luc-mas-sonorites-nouvelles-pour-guitares-MAS JEAN-LUC
Sonorités nouvelles pour guitares

EDITIONS GÉRARD BILLAUDOT
31.71 €
eric-gautier-histoire-illustree-de-la-guitare-des-origines-a-nos-jours-GAUTIER ERIC
Histoire illustrée de la guitare des origines à nos jours

OMNIS MUSICA
39.00 €
romano-marengo-tre-figli-delle-langhe-:-giovanni-francesco-pressanda-MARENGO ROMANO
Tre figli delle Langhe : Giovanni Francesco Pressanda

CREMONABOOKS
15.00 €
andre-millard-the-electric-guitar-:-a-history-of-an-american-icon-MILLARD ANDRÉ
The electric guitar : a history of an American icon

JOHNS HOPKINS UNIV. PRESS
37.00 €
suzanne-balderston-the-art-of-teaching-the-harp-BALDERSTON SUZANNE
The Art of teaching the Harp

AUTO ÉDITION
18.00 €
  • peter-holman-life-after-death:-the-viola-da-gamba-in-britain-from-purcell-to-dolmetsch-


    Mis à jour le 18.06.16
  • Life After Death: The Viola Da Gamba in Britain from Purcell to Dolmetsch
    Peter Holman


    Livre - Broché

    Boydell Press

    Référence: 9781843838203
    2010

    LES THÉMATIQUES  >  Les Instruments  >  Cordes


    33.00 €
     ARTICLE
    EN STOCK


    It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in the middle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s.
    Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists, and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy far into the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890.






    



    NOS CLIENTS ONT AUSSI APPRÉCIÉ…