PANIER

 
LA

PARTITIONSLIVRESACCESSOIRESPAPETERIEBesoin d'aide ?NOS MAGASINSMON COMPTE 
LES THÉMATIQUESOUVRAGES GÉNÉRAUXÉCRITUREENSEIGNEMENTPOUR LES ENFANTS
LES HOMMESLES OEUVRESLES EPOQUESLES SCIENCESLES ARTSLES INSTRUMENTSLES PAYS
OUVRAGES GENERAUXCOMPOSITEURSCHEFS D'ORCHESTREINTERPRETESPERSONNALITES
A DÉCOUVRIR
christopher-hogwood-handel-:-water-music-and-music-for-the-royal-fireworks-HOGWOOD CHRISTOPHER
Handel : Water music and Music for the royal fireworks

CAMBRIDGE UNIVERSITY PRES
28.00 €
linda-hutcheon-four-last-songs:-aging-and-creativity-in-verdi-strauss-messiaen-and-britten-HUTCHEON LINDA
Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen, and Britten

CHICAGO U.P.
29.80 €
matthew-boyden-richard-strauss-BOYDEN MATTHEW
Richard Strauss

WEIDENFELD & NICOLSON
25.00 €
bernard-chambaz-caro-carissimo-puccini-l-un-et-l-autreCHAMBAZ BERNARD
Caro carissimo Puccini
L'un et l'autre
GALLIMARD
18.00 €
benjamin-m-korstvedt-listening-for-utopia-in-ernst-bloch-s-musical-philosophy-KORSTVEDT BENJAMIN M.
Listening for utopia in Ernst Bloch's musical philosophy

CAMBRIDGE UNIVERSITY PRES
72.00 €
landon-howard-chandler-robbins-mozart-connu-et-inconnu-arcadesROBBINS LANDON HOWARD CHANDLER
Mozart connu et inconnu
Arcades
GALLIMARD
14.70 €
ann-christine-mecke-strauss-:-salome-MECKE ANN-CHRISTINE
Strauss : Salome

BARENREITER
14.95 €
david-dubal-the-essential-canon-of-classical-music-livre-d-occasion-DUBAL DAVID
The essential canon of classical music - LIVRE D'OCCASION

NORTH POINT PRESS
15.00 €
  • robert-orledge-debussy-and-the-theatre-


    Mis à jour le 11.04.14
  • Debussy and the Theatre
    Robert ORLEDGE


    Livre en anglais

    Livre - Broché

    Cambridge Univ Pr

    Référence: 9780521105163
    1 vol., 404 p. - 2009

    LES THÉMATIQUES  >  Les Hommes  >  Compositeurs


    44.50 €
     ARTICLE
    EN STOCK


    Debussy and the Theatre means, in effect, 'Debussy and Pellias et Milisande', the only stage work Debussy chose and completed himself without a definite production in view. The opera both established Debussy's mature style and reputation in the forefront of contemporary composers and changed the course of operatic history. But Pelléas was also largely responsible for Debussy's 'compulsive inachievement' in the theatre. Before it he delayed completing other works so that Albert Carré's production at the Opéra-Comique would be his theatre debut; and then its traumatic dress-rehearsal in April 19o2 left him reluctant to undergo another similar experience. This, coupled with his search for lyrical librettos or scenarios that could inspire the rhythm and colour that he regarded as vital ingredients in theatre music, resulted in a career littered with abandoned projects. The story of this most fascinating of love–hate relationships with the stage is told, as far as possible, in the composer's own words or from contemporary documents.




    



    NOS CLIENTS ONT AUSSI APPRÉCIÉ…