PANIER

 
LA

PARTITIONSLIVRESACCESSOIRESPAPETERIEBesoin d'aide ?NOS MAGASINSMON COMPTE 
LES THÉMATIQUESOUVRAGES GÉNÉRAUXÉCRITUREENSEIGNEMENTPOUR LES ENFANTS
LES HOMMESLES OEUVRESLES EPOQUESLES SCIENCESLES ARTSLES INSTRUMENTSLES PAYS
OUVRAGES GENERAUXFRANCEEUROPEASIEAFRIQUEAMERIQUESOCEANIE
A DÉCOUVRIR
anthony-girard-le-langage-musical-de-stravinsky-dans-l’histoire-du-soldat-GIRARD ANTHONY
Le langage musical de Stravinsky dans l’Histoire du Soldat

BILLAUDOT
26.81 €
revue-musurgia-vol-xiv-no-2-(2007)-REVUE
Musurgia, vol. XIV - n° 2 (2007)

ESKA
22.87 €
thomas-adrian-polish-music-since-szymanowski-ADRIAN THOMAS
Polish Music since Szymanowski

CAMBRIDGE UNIV PR
47.00 €
anthony-girard-le-langage-musical-de-mozart-dans-les-6-premieres-sonates-pour-piano-GIRARD ANTHONY
Le langage musical de Mozart - Dans les 6 premières sonates pour piano

BILLAUDOT
24.27 €
anne-marie-corbin-schuffels-petite-histoire-de-la-musique-allemande-et-autrichienne-CORBIN-SCHUFFELS ANNE-MARIE
Petite histoire de la musique allemande et autrichienne

ELLIPSES
17.00 €
bohlman-philip-v-central-european-folk-music-:-an-annotated-bibliography-of-sources- BOHLMAN PHILIP V.
Central European folk music : an annotated bibliography of sources

GARLAND
35.00 €
gianfranco-vinay-"quaderno-di-strada"-de-salvatore-sciarrino-VINAY GIANFRANCO
"Quaderno di strada" de Salvatore Sciarrino

MICHEL DE MAULE
18.00 €
malcolm-boyd-music-in-spain-during-the-eighteenth-century-BOYD MALCOLM
Music in Spain during the Eighteenth Century

CAMBRIDGE UNIVERSITY PRES
60.00 €
  • dubost-thierry-slaby-alexandra-music-and-the-irish-imagination-symposia


    Mis à jour le 01.04.14
  • Music and the Irish Imagination
    DUBOST Thierry / SLABY Alexandra


    Like a Language That We Could All Understand

    Livre avec DVD

    Presses universitaires de

    Référence: F207001
    1 vol. (272 p.) ; 22 x 14 cm ; 1 DVD vidéo - 2013

    LES THÉMATIQUES  >  Les Pays  >  Europe


    25.00 €
     ARTICLE
    EN STOCK


    Irish music holds pride of place among the cultural attributes defining Ireland, and its role in shaping national identity is undisputed. To question these certainties which tend to convey a restrictive notion of a so-called Irish music, the first Irish music studies conference in France, which took place at the université de Caen Basse-Normandie on September 10th-12th, 2008 brought together Irish studies scholars, musicologists and musicians from Ireland and from France. Proceeding from this conference, this collection of essays places itself in the context of the fairly recent development of music studies as an area of scholarship within Irish studies. After an introductory essay by Mícheál Ó Súilleabháin, head of the Irish World Music Academy and chair of Culture Ireland, other articles look at issues such as (re-)defining, instrumentalising, performing, staging and listening to Irish music. In this volume, studies of form, setting, repertoire, political and ideological exploitation and government policy sit alongside explorations of music motifs and themes in literature and on the stage.





    



    NOS CLIENTS ONT AUSSI APPRÉCIÉ…