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  • t-viswanathan-music-in-south-india-global-music-series


    Mis à jour le 11.02.15
  • Music in South India
    T. VISWANATHAN


    Experiencing music, expressing culture (livre en anglais)

    Livre avec CD

    Oxford University Press

    Référence: 9780195145915
    176 p.,8.10 (w) x 5.40 (h) x 0.60 (d) - Oxford - 2004

    LES THÉMATIQUES  >  Les Pays  >  Asie


    32.95 €
     ARTICLE
    EN STOCK


    Music in South India is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study.

    Music in South India provides a vivid and focused introduction to the musical landscape of South India, discussing historical and contemporary performance, cultural history and geography, and the social organization of performance traditions. The book centers on Karnatak concert music, a unique performance practice that juxtaposes gorgeous musical compositions with many different types of improvisation. T. Viswanathan and Matthew Harp Allen first compare two types of song—bhajan, a structurally simple devotional genre, and kriti, the primary concert genre—and also analyze raga and tala, the basic elements underlying Karnatak music.
    They go on to examine the evolution of Karnatak music during the twentieth century, paying special attention to gender and caste and illuminating these issues through case studies and historical recordings (on the accompanying CD) of a small group of enormously influential musicians. In the final chapter, the authors move beyond Karnatak music to address other aspects of South India's rich musical environment, such as its thriving popular music scene (based on cinema music); regional traditions ranging from the sacred to the secular, many of which integrate elements from dance and drama; and contemporary composition.
    Featuring numerous listening activities, Music in South India is packaged with an 80-minute CD containing examples of the music discussed. The CD includes a full, uncut concert recording of a kriti performance, which shows how Karnatak musicians weave together composed and improvised elements to create extended performances.





    



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