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  • -divers-korn-klassik-meets-jazz-volume-1-avec-cd-partition-piano


    Mis à jour le 28.12.16
  • Divers / Korn
    Klassik Meets Jazz Volume 1 avec CD


    20 Pièces Classiques Célèbres Dans leur Version Originale et Dans une Version Jazz.

    Partition - Piano

    Schott

    Référence: ED20177

    PIANO & CLAVIERS  >  Piano  >  Recueils


    23.73 €
     ARTICLE
    EN STOCK


    MOZART - 1er mvt de la sonate k 331
    - A fortune for a tune
    - Aida groove
    - Ariana's dream
    BACH - Badinerie de la suite pour orchestre 2 en si mneur
    - Blue danube waves
    - Blue gavotte
    - Blue reverie
    PAGANINI / LISZT - Caprice 24
    - Capricho latino
    GRIEG - Chanson de solveig
    MONTI - Czardas
    BRAHMS - Danse hongroise 5
    SMETATA - Die moldau
    BEETHOVEN - Die wut über den verlorenen groschen
    IVANOVICI - Donauwellen
    LULLY - Gavotte
    - Goodinery
    - Habanera con cigarro
    BIZET - Habanera de carmen
    - Hungarian salsa
    GRIEG - In der halle des bergkönigs
    - Jazz czardas
    - Jazz toccata
    MONTEVERDI - Lamento d'ariana
    - Lost penny rag
    VERDI - Marche triomphale d'aida
    - Moldau at night
    - Mozart goes blues
    ORFF - O fortuna de carmina burana
    - Sarabanda rock
    HAENDEL - Sarabande de la suite hwv 437
    - Solvejg's bossa
    - Surprise samba
    - The barber's swing
    - The mountain kings mood
    ROSSINI - Thème de l'ouverture du barbier de séville
    HAYDN J. - Thème du 2ème mvt de la symph "la surprise"
    BACH - Toccata bwv 565
    SCHUMANN - Träumerai


    This volume contains a wide selection of famous musical themes from Bach to Carl Orff. Some of them were originally written for the piano; most have had their scores carefully arranged to make them easy to play on the piano. Each piece is followed with a jazz interpretation, which can either be played alone or alongside the 'original' version. Perhaps this will show that the 'classics' are not all that far removed from jazz, and that music of earlier periods contains many of the essential characteristics of jazz. Doesn't Lully's 'Gavotte', for instance, contain one of the most famous jazz themes ever? The 'Blue Gavotte' may make this clearer. The theme from Mozart's Sonata in A major (K 331) doesn't require many rhythmic changes to give it a blues flavour ('Mozart Goes Blues'). The driving rhythm of the ostinato bass in Carl Orff's 'O Fortuna' would suit modern jazz-rock performers well, with a few small changes ('A Fortune for a Tune'). What do Bizet's 'Habanera', Brahms' 'Hungarian Dance No. 5' and Paganini's 'Caprice No. 24' have in common? Why have they been turned into salsa music ('Habanera con Cigarro', 'Hungarian Salsa No. 5', 'Capriccio Latino')? Much of this is up to the individual: if you want to discover similarities, they are easy to find. It is difficult to convey a jazz interpretation through musical notation alone, so a CD has been included - not to demonstrate the only possible interpretation, but to offer ideas and suggestions.




    



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