| | | | |  | |  | |  | |  | |  | |  | | STEGEMAN MICHAEL ED. | | MARIE GABORIAUD | | EDWARD (ĂD.) GREEN | | ANDREW PARROTT | | MARIA HELENA ELIAS | | KENNETH HAMILTON | | The Many Faces of Camille Saint-SaĂ«ns | | Une vie de gloire et de souffrance | | Cambridge Companion to Duke Ellington | | The Essential Bach Choir | | Villa-Lobos, l'homme et son oeuvre pour le piano | | The Cambridge Companion to Liszt | | | Etudes de littĂ©rature des XXĂš et XXIĂš siĂšcles, n° 65 | | | | | | | | Cambridge Companions | | BREPOLS | | CLASSIQUES GARNIER | | CAMBRIDGE UNIVERSITY PRESS | | BOYDELL PRESS | | ANRT | | CAMBRIDGE UNIVERSITY PRESS | | 115.00 € | | 65.00 € | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | NORBERT ELIAS | | CAROLINE POTTER | | PHILIPPE GODEFROID | | GAELLE LOISEL | | DAVID BOISBOURDIN | | HANNS EISLER | | Mozart, sociologie d'un gĂ©nie | | Erik Satie, a parisian composer and his world | | Wagner et le Juif errant : une hontologie | | La musique au dĂ©fi du drame : Berlioz et Shakespeare | | Composer avec les sons du corps humain | | Musique et sociĂ©tĂ© : essais | | | | | Univers musical | | Perspectives comparatistes | | | | | | SEUIL | | BOYDELL PRESS | | L'HARMATTAN | | CLASSIQUES GARNIER | | L'HARMATTAN | | MAISON DES SCIENCES DE L'HOMME | | | 51.50 € | | | | 49.00 € | | 38.00 € | | |
|
 | |  | |  | |  | |  | |  | | DOMINIQUE JAMEUX | | VAN DEN TOORN PIETER C. / MCGINNESS JOHN | | JOSEPH COPPEY | | BRYARS GAVIN / TALLON JEAN-LOUIS | | NICHOLAS TEMPERLEY | | CHRISTIAN HAUER | | OpĂ©ra : Ăros et le pouvoir - Monteverdi, Berg | | Stravinsky and the Russian period | | Jean-SĂ©bastien Bach : lectures analysĂ©es, volume 1 | | Gavin Bryars : en paroles, en musique : entretiens avec Jean-Louis Tallon | | Haydn The Creation | | TraitĂ© informel d'hermĂ©neutique musicale | | Les Chemins de la musique | | | | | | Musiques | | Cambridge Music Handbooks | | | | FAYARD | | CAMBRIDGE UNIVERSITY PRESS | | DO BENTZINGER | | LE MOT ET LE RESTE | | CAMBRIDGE UNIVERSITY PRESS | | ARCHIVES CONTEMPORAINES | | 19.00 € | | | | 23.00 € | | 23.00 € | | | | 42.00 € |
 | |  | |  | |  | |  | |  | | KLAUS HUBER | | ERIC HUMBERTCLAUDE | | REVUE | | HENRI RABAUD | | PIERNE | | MARIANNE WHEELDON | | Au nom des opprimĂ©s : Ă©crits et entretiens | | Hugues Dufourt | | Musicorum n° 19 (2018) - M. P. G. de Chabanon | | Correspondance et Ă©crits de jeunesse | | Correspondance romaine | | Debussy's legacy and the construction of reputation | | | Univers musical | | | | | | | | | | CONTRECHAMPS | | L'HARMATTAN | | LAURINE QUETIN | | SYMĂTRIE | | SYMETRIE | | OXFORD UNIVERSITY PRESS | | | 10.50 € | | 35.00 € | | 20.00 € | | | | |
 | |  | |  | |  | |  | |  | | KEEFE SIMON P. | | GABRIEL ASTRUC | | SERNA PIERRE-RENĂ | | BERNARD CHAMBAZ | | KNIGHT JOHN W. | | HONEGGER | | Mozart's Requiem: Reception, Work, Completion | | Mes scandales | | CafĂ© Berlioz | | Caro carissimo Puccini | | The Golden Age of Conductors | | Lettres Ă ses parents : 1914-1922 | | | TirĂ©-Ă -part | | | | L'un et l'autre | | | | | | CAMBRIDGE UNIVERSITY PRESS | | CLAIRE PAULHAN | | BLEU NUIT | | GALLIMARD | | MEREDITH PUBLICATIONS | | PAPILLON | | | | | 16.00 € | | 18.00 € | | 42.00 € | | 32.70 € |
 | |  | |  | |  | |  | |  | | MARTIN GECK | | ANDREW TALLE | | OLIVER HILMES | | BRIGITTE CORMIER | | REVUE | | CAGE | | Richard Wagner, A life in music | | J. S. Bach and his german contemporaries | | Cosima Wagner : the lady of Bayreuth | | Ewa Podles, contralto assoluto | | Euterpe n°39-40 | | Journal : comment rendre le monde meilleur (on ne fait qu'aggraver les choses) | | | Music | | | | | | | | | | UNIVERSITY OF CHICAGO PRESS | | ILLINOIS UP | | YALE UNIVERSITY PRESS | | SYMETRIE | | EUTERPE | | HEROS LIMITE / CONTRECHAMPS | | | 64.80 € | | 22.50 € | | | | 22.00 € | | |
 | |  | |  | |  | |  | |  | | MARILYN NONKEN | | PHILIPPE OLIVIER | | RAMEAU | | SIEGFRIED KRACAUER | | CHRISTOPHE BAILLAT | | PIERRE DEGOTT | | The Spectral Piano: From Liszt, Scriabin, and Debussy to the digital age | | Wagner : manuel pratique Ă l'usage des mĂ©lomanes | | IntĂ©grale de l'oeuvre thĂ©orique, vol. 3 | | Jacques Offenbach ou Le secret du second Empire | | Vera Moore pianiste de Dunedin Ă Jouy-en-Josas | | Haendel et ses oratorios : des mots pour les notes | | Music since 1900 | | | | MĂ©thodes et traitĂ©s | | | | | | Univers musical | | CAMBRIDGE UNIVERSITY PRESS | | HERMANN | | FUZEAU | | KLINCKSIECK | | L'HARMATTAN | | L'HARMATTAN | | 34.50 € | | 25.00 € | | | | 29.00 € | | 12.50 € | | |
|
 | |  | |  | |  | |  | |  | | PETER SZENDY | | BERNARD MOXHAM | | TOM SERVICE | | ALBERT BENSOUSSAN | | CLIVE BROWN | | GEOFFREY BAKER | | Emmanuel Nunes | | Satie's Faction: Images to accompany the music of Eric Satie | | Music as alchemy : journeys with great conductors and their orchestras | | Edith Piaf | | A portrait of Mendelssohn | | El Sistema : Orchestrating Venezuela's youth | | Cahiers de l'IRCAM (Les). Compositeurs d'aujourd'hui | | | | | | Folio Biographies | | | | | | L'HARMATTAN | IRCAM-CENTRE GEORGES POMPI | | BERNARD MOXHAM | | FABER & FABER | | GALLIMARD | | YALE | | OXFORD UNIVERSITY PRESS | | 19.00 € | | 60.00 € | | | | | | | | 33.20 € |
| |
