| | | | |  | |  | |  | |  | |  | |  | | JEAN-FRANĂOIS ROBIN | | LASZLO SOMFAI | | GABRIELA PREISSOVA | | DANIEL MELAMED | | HELEN SMITH | | MĂLISANDE CHAUVEAU | | Bach Jean SĂ©bastien : naissance d'une vocation | | The keyboard sonatas of Joseph Haydn | | Jenufa : (Sa Belle-fille) | | An introducing to Bach studies | | There's a place for us : the musical theatre works of Leonard Bernstein | | Raconte-moi la musique Moi, Clara Schumann : pages intimes | | | | | | | | | | | Raconte-moi la musique | | RIVENEUVE | | UNIVERSITY OF CHICAGO PRESS | | LE JARDIN D'ESSAI | | OXFORD UNIVERSITY PRESS | | ASHGATE PUBLISHING | | DELATOUR | | | | | | | | | | | 10.00 € |
 |
 | |  | |  | |  | |  | |  | | BARBARA HEYMAN | | SCHMIEDER | | RICHARD WAGNER / COSIMA WAGNER / ARTHUR GOBINEAU | | PETER WILLIAMS | | KRISTINA MUXFELDT | | MICHEL FAUL | | Samuel Barber: A Thematic Catalogue of the Complete Works | | Bach-Werk-Verzeichnis; kleine Ausgage | | Correspondance : 1880-1882 | | Bach, Handel, Scarlatti, 1685-1985 (Livre en anglais) | | Vanishing Sensibilities : Schubert, Beethoven, Schumann | | Les tribulations mexicaines de Nicolas-Charles Bochsa, harpiste | | | | | | | | | | | | | OXFORD UNIVERSITY PRESS | | BREITKOPF | | NIZET | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | DELATOUR | | | | | 42.00 € | | | | | | |
|
 | |  | |  | |  | |  | |  | | LAURE LIMONGI | | NATTIEZ JEAN-JACQUES | | GUNTHER BRAAM | | GEORGE PERLE | | LAKI PETER (DIR.) | | PAUL GRIFFITHS | | Soliste | | Les esquisses de Richard Wagner pour Siegfried's Tod (1850) : essai de poĂŻĂ©tique | | The Portraits of Hector Berlioz (2 volumes) | | The operas of Alban Berg, vol 2: Lulu | | BartĂłk and his world | | La mer en feu : Jean BarraquĂ© | | Fiction | | Publications de la SociĂ©tĂ© française de musicologie - TroisiĂšme sĂ©rie, n° 9 | | | | | | | | | | INCULTE | | SOCIETE FRANCAISE DE MUSICOLOGIE | | BARENREITER | | UNIVERSITY OF CALIFORNIA PRESS | | PRINCETON UNIVERSITY PRESS | | HERMANN | | | 19.38 € | | | | | | | | 28.00 € |
|
 | |  | |  | |  | |  | |  | | VAN RIJ INGE | | RICHARD PERRIN | | DAVID CHARLTON | | JANE F. (SOUS LA DIRECTION DE) FULCHER | | MICHĂLE LHOPITEAU-DORFEUILLE | | RAYMOND HOLDEN | | Brahms's song collections | | Les 4 variations de Philippe Hurel : analyse de l'hĂ©tĂ©rogĂšne | | GrĂ©try and the growth of opĂ©ra-comique | | Debussy and his world | | Wolfgang Amadeo Mozart : rĂȘver avec les sons | | Richard Strauss : a musical life | | | | | | | | | | | | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN L'ITINĂRAIRE | | CAMBRIDGE UNIVERSITY PRESS | | PRINCETON UNIVERSITY PRESS | | LE BORD DE L'EAU | | YALE UNIVERSITY PRESS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | CAULLIER JOĂLLE (ĂD.) | | MILLINGTON BARRY DIR. | | FISCHER JENS MALTE | | DURON JEAN DIR. | | LEWIS PORTER | | ANTHONY GIRARD | | C'est ainsi que l'on crĂ©e... : Ă propos de La main heureuse d'Arnold Schoenberg | | Wagner, guide raisonnĂ© | | Gustav Mahler | | GrĂ©try en sociĂ©tĂ© | | Lester Young | | ValĂ©ry Arzoumanov, compositeur hors du temps | | EsthĂ©tique et sciences des arts | | Musique | | | | | | | | | | PRESSES UNIVERSITAIRES DU SEPTENTRION | | FAYARD | | YALE UNIVERSITY PRESS | | MARDAGA |CENTRE DE MUSIQUE BAROQUE DE VE | | UNIVERSITY OF MICHIGAN PRESS | | A CIEL OUVERT | | | | | | | | | | | 20.00 € |
 | |  | |  | |  | |  | |  | | JANE GLOVER | | WEAVER WILLIAM / PUCCINI SIMONETTA | | NATASHA LOGES | | JACOB FRANĂOIS / MOREL NICOLAS | | VINCENT BOREL | | JORGE MORALES | | Mozart's women : his family, his friend, his music | | The Puccini companion : essays on Puccini's life and music | | Brahms and his poets | | Nota Bene : de la musique avec Rousseau | | La vigne Ă©carlate | | Sigismondo DâIndia et ses mondes | | | | | | | MĂ©moires et Documents sur Voltaire | | LittĂ©rature | | | | HARPER | | NORTON | | BOYDELL PRESS | | LA LIGNE D'OMBRE | | SABINE WESPIESER | | BREPOLS | | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | ALEXANDER REHDING | | GOUNOD | | PETER HOLMAN | | ANSERMET ERNEST / RAMUZ CHARLES-FERDINAND | | CHRISTINE ESCLAPEZ | | SUSAN YOUENS | | Beethoven's symphony n° 9 | | Charles Gounod : cantates et musiques sacrĂ©es | | Dowland : Lachrimae (1604) | | Correspondance Ansermet-Ramuz : 1906-1941 | | La musique comme parole des corps | | Schubert's poets and the making of lieder | | Oxford keynotes | | Palazzetto Bru Zane / Prix de Rome, n° 6 | | Cambridge music handbooks | | | | SĂ©miotique et philosophie de la musique | | | | OXFORD UNIVERSITY PRESS | | EDICIONES SINGULARES | | CAMBRIDGE UNIVERSITY PRESS | | GEORG | | L'HARMATTAN | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | 19.00 € | | | | |
|
 | |  | |  | |  | |  | |  | | GREIL MARCUS | | GALLARD JEAN-CLAUDE | | GEOFFREY BLOCK | | MICHAEL MARISSEN | | JENNIFER BAIN | | L. BESADA JOSĂ | | Bob Dylan by Greil Marcus : Ă©crits 1968-2010 | | Le dernier Schoenberg : synthĂšse et dĂ©passement | | Ives : Concord sonata : piano sonata no. 2 | | Bach's oratorios : the parallel German-English texts, with annotations | | Hildegard of Bingen and musical reception | | Metamodels in compositional practices : the case of Alberto Posada's Liturgia | | | | | | | | | | | Musiques Sciences IRCAM-Centre Georges Pompidou | | GALAADE | | ANRT | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | DELATOUR | | | 39.00 € | | 29.50 € | | 44.10 € | | | | 29.00 € |
| |
