| | | | |  | |  | |  | |  | |  | |  | | ROBENE LUC / SERRE SOLVEIG | | LAURENT MARTY | | KITA CAROLINE A. | | FRANK ZAPPA | | GEISLER LOUIS DIR. | | MERVYN COOKE | | Underground ! - Chroniques de recherche en terres punk | | 1805, la création de Don Juan à l'Opéra de Paris | | Jewish difference and the arts in Vienna | | Them or us : le livre | | L'opéra, miroir du monde : Festival d'Aix-en-Provence 2007-2018 | | Pat Metheny | | En marge ! | | Univers musical | | | | Écrits de compositeurs | | | | | | RIVENEUVE | | L'HARMATTAN | | INDIANA UNIVERSITY PRESS | | PHILHARMONIE DE PARIS | | ACTES SUD | | OXFORD UNIVERSITY PRESS | | 20.00 € | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | RENÉ BEAUPAIN | | KATE BAILEY | | JEFF CHANG | | SYLVAIN BERTOT | | GONIN PHILIPPE (DIR.) | | OLIVIER ROUVIERE | | Le Palais Garnier | | Opera: Passion, power, politics | | Can't stop, won't : une histoire de la génération hip-hop | | Mixtapes : un format musical au coeur du rap | | Prog rock in Europe : overview of a persistent musical style | | L'apparition : essai sur les effets et enjeux du théâtre et de l'art lyrique | | | | | Musique | | | | Sociétés | | | | BOOKS ON DEMAND | | V&A PUBLISHING | | ALLIA | | LE MOT ET LE RESTE | | EDITIONS UNIVERSITAIRES DE DIJON | | L'HARMATTAN | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | BEMPORAD CHIARA / BUCCHI GABRIELE (DIR.) | | WALLACE DAVID FOSTER | | NIK COHN | | SUZANNE ASPDEN | | POTTIER JEAN-MARIE | | CHRISTIAN FEVRET | | L'opéra en toutes lettres | | Rappeurs de sens | | Soljas | | The Rival Sirens: Performance and Identity on Handel's Operatic Stage | | Indie pop : 1979-1997 | | The Velvet underground : New York extravaganza | | Etudes de lettres | | Document | | Petite collection | | | | | | | | UNIVERSITÉ DE LAUSANNE | | AU DIABLE VAUVERT | | ALLIA | | CAMBRIDGE UNIVERSITY PRESS | | LE MOT ET LE RESTE | | LA DECOUVERTE | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | RODOLFO CELLETTI | | GUILLAUME KOSMICKI | | RAPHAËL MALKIN | | HOSKYNS | | KAREN HENSON | | JACKSON JEAN-PIERRE | | A History of Bel Canto | | Free party : une histoire, des histoires | | Music sounds better with you | | Hotel California : les années folk rock (1965-1980) | | Opera Acts: Singers and Performance in the late 19th century | | Benny Goodman | | | Attitudes | | | | Musique | | | | Classica | | OXFORD UNIVERSITY PRESS | | LE MOT ET LE RESTE | | LE MOT ET LE RESTE | | CASTOR ASTRAL | | CAMBRIDGE UNIVERSITY PRESS | | ACTES SUD|CLASSICA | | | 33.00 € | | | | | | | | 16.30 € |
 | |  | |  | |  | |  | |  | | DU JAZZ (LES), NOUVELLE SÉRIE, N° 9 CAHIERS | | COLLECTIF | | ERIC DESHAYES | | EDWARD BERGER | | ROBERT BELLERET | | MARK BERRY | | André Hodeir | | La catastrophe apprivoisée : regards sur le jazz en France | | Kraftwerk | | Softly, with feeling | | Piaf : un mythe français : biographie | | After Wagner: Histories of Modernist Music Drama from Parsifal to Nono | | | Jazz en France | | | | | | Documents | | | | OUTRE MESURE | | OUTRE MESURE | | LE MOT ET LE RESTE | | TEMPLE UNIV. PRESS | | FAYARD | | BOYDELL PRESS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | WILLIAM GIBBONS | | OWEN MARTELL | | CABOT JEAN-SYLVAIN | | GREIL MARCUS | | ELLEN ROSAND | | ELLEN NOONAN | | Building the Operatic Museum: Eighteenth-Century Opera in Fin-de-Siecle Paris | | Massilia sound system | | Fleetwood Mac | | The History of Rock 'n' Roll in Ten Songs | | Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production | | The Strange Career of Porgy and Bess | | Eastman Studies in Music | | | | | | | | | | | | UNIVERSITY OF ROCHESTER PRESS | | LE MOT ET LE RESTE | | LE MOT ET LE RESTE | | YALE | | ASHGATE PUBLISHING | | UNIVERSITY OF NORTH CAROLINA PRESS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | MICHAEL MARISSEN | | AURÉLIEN TCHIEMESSOM | | JUDITH ZEITLIN | | SENABRE ÉRIC / MERLIN CHRISTOPHE | | PIERRE PHILIPPE | | BETTINA DISSINGER | | Tainted Glory in Handel's Messiah: The Unsettling History of the World's Most Be | | Sun Ra : un Noir dans le cosmos | | Performing Images: Opera in Chinese Visual Culture | | Rockin' Johnny | | L'air et la chanson | | Die Opern von Aleksandr Dargomyzskij | | | Univers musical | | | | Contes et opéras | | | | | | YALE | | L'HARMATTAN | | UNIVERSITY OF CHICAGO PRESS | | DIDIER JEUNESSE | | GRASSET | | PETER LANG | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | NATTIEZ JEAN-JACQUES | | MICHKA DIR. ASSAYAS | | MICHKA DIR. ASSAYAS | | GEORGE PERLE | | MICHKA DIR. ASSAYAS | | EMILIO SALA | | Les esquisses de Richard Wagner pour Siegfried's Tod (1850) : essai de poïétique | | Dictionnaire du rock, vol. 2 : M-Z | | Dictionnaire du rock, vol. 3 : Index | | The operas of Alban Berg, vol 1: Wozzeck | | Dictionnaire du rock A-L | | The Sounds of Paris in Verdi's La traviata | | Publications de la Société française de musicologie - Troisième série, n° 9 | | Bouquins | | Bouquins | | | | Bouquins | | | | SOCIETE FRANCAISE DE MUSICOLOGIE | | LAFFONT (ROBERT) | | LAFFONT (ROBERT) | | UNIVERSITY OF CALIFORNIA PRESS | | LAFFONT (ROBERT) | | CAMBRIDGE UNIVERSITY PRESS | | 19.38 € | | | | | | | | | | |
| |