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 | |  | |  | |  | |  | |  | | COLLECTIF | | DAVID HENNEBELLE | | DIETRICH BARTEL | | NATTIEZ JEAN-JACQUES DIR. | | DAVID LEDBETTER | | BOÈCE | | Studies in Baroque - Festschrift Ton Koopman | | Les concerts de la reine (1725-1768) | | Handbuch der musikalischen Figurenlehre | | Musiques : une encyclopédie pour le XXIe siècle, vol. 5 | | Bach's Well-tempered Clavier: The 48 Preludes and Fugues | | Traité de la musique | | | | | | | | | | | | | BUTZ | | SYMETRIE | | LAABER | | ACTES SUD|CITÉ DE LA MUSIQUE | | YALE | | BREPOLS | | 36.80 € | | 30.00 € | | 71.20 € | | 55.80 € | | 58.40 € | | 52.43 € |
 | |  | |  | |  | |  | |  | | DUFFIN ROSS W. | | COLLECTIF | | GÉRARD RÉGNIER | | GIRARD ANTHONY / MALHAIRE PHILIPPE (DIR.) | | JULIAN RUSHTON | | BRUNO GINER | | How equal temperament ruined harmony (and why you should care) | | Music at German Courts, 1715-1760: Changing Artistic Priorities | | Jazz et société sous l'Occupation | | Pour les sonorités opposées, n° 2 | | Classical music : a concise history from Gluck to Beethoven | | Aide-mémoire musique contemporaine | | | | | | | | | | | | | NORTON | | BOYDELL PRESS | | L'HARMATTAN | | L'HARMATTAN | | THAMES AND HUDSON | | DURAND | | 21.50 € | | 52.40 € | | 30.00 € | | 18.00 € | | 13.75 € | | 36.45 € |
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 | |  | |  | |  | |  | |  | | ARNAUD MARION | | DIEGO PACHECO CRISTINA | | DANIEL HEARTZ | | JENNIFER BAIN | | BAUMANN DOROTHEA / FABRIS DINKO | | KAROL BERGER | | La salle Pleyel : lieu de modernité At the heart of modernity | | Cristobal de Morales en Espagne : ses premières oeuvres et le manuscrit | | Music in European Capitals | | Hildegard of Bingen and musical reception | | The History of the IMS International Musicological Society (1927-2017) | | Musica Ficta | | | | | | | | | | | | | LA MARTINIÈRE | | SYMETRIE | | NORTON | | CAMBRIDGE UNIVERSITY PRESS | | BARENREITER | | CAMBRIDGE UNIVERSITY PRESS | | 36.50 € | | 36.00 € | | 121.20 € | | 93.80 € | | 45.60 € | | 53.80 € |
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 | |  | |  | |  | |  | |  | | OLIVEIRA JOCY (DE) | | STEVENS BLAKE | | BRISSON ELISABETH DIR. / PALACIOS RENÉ DIR. | | WLODARSKI AMY LYNN | | JIM SAMSON | | ALEXANDRE CHÈVREMONT | | Dialogue avec mes lettres : Berio, Cage, Stravinsky, Villa-Lobos, Messiaen,.. | | Teaching electronic music | | Découvrir Wagner | | Musical Witness and Holocaust Representation | | The Cambridge History of Nineteenth-Century Music | | L'esthétique de la musique classique : de Winckelmann à Hegel | | | | | | | | | | | | | CHAMPION | | ROUTLEDGE | | ELLIPSES | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | PRESSES UNIVERSITAIRES DE RENNES | | 50.00 € | | 28.16 € | | 14.50 € | | 28.30 € | | 64.70 € | | 19.00 € |
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 | |  | |  | |  | |  | |  | | ROBERT FINK | | DAVID CHARLTON | | BOYD MALCOLM (DIR.) | | COLLECTIF | | JACQUES VIRET | | LEON PLANTINGA | | Repeating ourselves : American minimal music as cultural practice | | Opera in the Age of Rousseau: Music, Confrontation, Realism | | Music and the French Revolution | | Edison Denisov : compositeur de la lumière | | La modalité grégorienne : un langage pour quel message ? | | Romantic music : a history of musical style in nineteenth-century Europe | | | | | | | | | | | | | UNIVERSITY OF CALIFORNIA PRESS | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | CDMC | | A COEUR JOIE | | NORTON | | 54.00 € | | 34.50 € | | 41.50 € | | 14.00 € | | 27.00 € | | 107.00 € |
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