| | | | |  | |  | |  | |  | |  | |  | | NICOLAS MARTY | | RODIONOFF ANOLGA (DIR.) | | GASCH STEFAN / TRÖSTER SONJA (DIR.) | | JESSICA RODA | | GRABOCZ MARTA (DIR.) | | TIMMS COLIN / WOOD BRUCE | | Quand l'écoute fait l'oeuvre | | Les temps multiples des arts contemporains | | Ludwig Senfl (c.1490 - 1543) : a catalogue raisonné vol.2 | | Se réinventer au présent | | Modèles naturels et scénarios imaginaires | | Music in the London Theatre from Purcell to Handel | | | | | | | | | | | | | DELATOUR | | HERMANN | | BREPOLS | | PRESSES UNIVERSITAIRES DE RENNES | | HERMANN | | CAMBRIDGE UNIVERSITY PRESS | | 37.40 € | | | | 60.00 € | | 24.00 € | | 32.00 € | | |
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 | |  | |  | |  | |  | |  | | THORAU CHRISTIAN / ZIEMER HANSJAKOB (DIR.) | | LUCILLE LISACK | | DREZE CÉLINE / GUILLOUX FABIEN | | FENLON IAIN / WISTREICH RICHARD (ED.) | | DUFFIN ROSS W. | | EVERIST MARK ED. | | Music Listening in the 19th and 20th centuries | | Musique contemporaine en Ouzbékistan | | Rubens et la musique | | The Cambridge History of 16th century Music | | Shakespeare's Songbook | | The Cambridge History of Medieval Music | | The Oxford Handbook | | | | Epitome musical | | The Cambridge history of music | | | | | | OXFORD UNIVERSITY PRESS | | PETRA | | BREPOLS | | CAMBRIDGE UNIVERSITY PRESS | | NORTON | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | 66.00 € | | |
 | |  | |  | |  | |  | |  | | PORCELLI MARIA PAOLA | | REVUE | | HARTT JARED C. | | ANNEGRET FAUSER | | DIDIER FRANCFORT | | COLLECTIF | | Au milieu du théâtre | | Circuit, vol. 19, n°1 (2009) - Composer au féminin | | A critical companion to medieval motets | | Musical encounters at the 1889 Paris World's Fair | | Le chant des nations : musiques et cultures en Europe : 1870-1914 | | German baroque sacred music : Passion - Resurrection | | | | | | | | | | | Ricercar | | L'HARMATTAN | | CIRCUIT | | BOYDELL PRESS | | UNIVERSITY OF ROCHESTER PRESS | | HACHETTE | | OUTHERE MUSIC | | 26.00 € | | 17.00 € | | | | | | | | |
 | |  | |  | |  | |  | |  | | KATELIJNE SCHILTZ | | JANKE ANDREAS / NADAS JOHN | | FROLOVA-WALKER MARINA | | PASCAL ORY | | CRITIQUE REVUE | | GIANMARIO DIR. BORIO | | Music and Riddle Culture in the Renaissance | | The San Lorenzo Palimpsest | | Music and soviet power 1917-1932 | | La belle illusion | | Musique(s) : pour une généalogie du contemporain (n° 639) | | Musical Listening in the Age of Technological Reproduction | | | | | | | Biblis | | | | | | CAMBRIDGE UNIVERSITY PRESS | | LIM | | BOYDELL PRESS | | CNRS EDITIONS | | MINUIT | | ASHGATE PUBLISHING | | | | | 42.10 € | | | | | | |
 | |  | |  | |  | |  | |  | | CAROLINE BEC | | JOHANNIS GARLANDIA | | BUSSE BERGER ANNA MARIA | | ROBERT PHILIP | | ISABELLE HIS | | LAWRENCE KRAMER | | Les comédiennes-chanteuses à Madrid au XVIIIe siècle : 1700-1767 | | Musica plana | | The Cambridge companion to 15th century music | | Early Recordings and Musical Style: Changing Tastes in Instrumental Performance | | Claude Le Jeune, 10 Pseaumes en forme de motets (1564) | | Music as cultural practice 1800-1900 | | Bibliothèque d'histoire moderne et contemporaine, n° 54 | | | | | | | | | | | | CHAMPION | | VALENTIN KOERNER | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | BREPOLS | | UNIVERSITY OF CALIFORNIA PRESS | | | | | | | 53.80 € | | | | |
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 | |  | |  | |  | |  | |  | | ANDREW DELL'ANTONIO | | MARCELLE BENOIT | | TIM CARTER | | LA DIRECTION DE GEORGES BLOESS SOUS | | ANNE PIÉJUS | | RICHARD SEMMENS | | Listening as spiritual practice in Early Modern Italy | | Les événements musicaux sous le règne de Louis XIV : chronologie | | The Cambridge History of Seventeenth-Century Music | | Destruction, création, rythme : l'expressionnisme, une esthétique du conflit | | Musique et dévotion à Rome à la fin de la Renaissance | | The Bals Publics at the Paris Opera in the Eighteenth Century | | | | | | | | | | | Dance & Music, n° 13 | | UNIVERSITY OF CALIFORNIA PRESS | | PICARD | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | BREPOLS | | PENDRAGON PRESS | | | | | | | 42.00 € | | | | 63.70 € |
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 | |  | |  | |  | |  | |  | | KOTTICK EDWARD L. | | JOHN SPITZER | | GUY DELHASSE | | MILLINGTON BARRY DIR. | | FRANÇOISE ESCAL | | JOHN HAINES | | The Harpsichord Owner's Guide: A Manual for Buyers and Owners | | American Orchestras in the Nineteenth Century | | Petits lieux à chansons de Belgique : 1950-2012 | | Wagner, guide raisonné | | La musique et le romantisme | | Eight Centuries of Troubadours and Trouveres | | | | | Cabaret | | Musique | | Univers musical | | | | UNIVERSITY OF NORTH CAROLINA PRESS | | UNIVERSITY OF CHICAGO PRESS | | L'HARMATTAN | | FAYARD | | L'HARMATTAN | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | KAREN PAINTER | | FRANÇOIS MADURELL | | MARK J. BUTLER | | JOHN HAINES | | THOMAS RAVIER | | ANDREW TALLE | | Symphonic aspirations : German music and politics, 1900-1945 | | L'ensemble Ars nova | | Playing with Something That Runs | | Chants du diable, chants du peuple : voyage en musique dans le Moyen Age | | Sans le baroque, la musique serait une erreur | | Beyond Bach: Music and Everyday Life in the Eighteenth Century | | | Univers musical | | | | | | Variations XXXII | | | | HARVARD UNIVERSITY PRESS | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | BREPOLS | | LÉO SCHEER | | ILLINOIS UP | | | 52.00 € | | | | | | 16.00 € | | |
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