| | | | |  | |  | |  | |  | |  | |  | | GRABOCZ MARTA (DIR.) | | TIMMS COLIN / WOOD BRUCE | | THORAU CHRISTIAN / ZIEMER HANSJAKOB (DIR.) | | LUCILLE LISACK | | DREZE CĂLINE / GUILLOUX FABIEN | | FENLON IAIN / WISTREICH RICHARD (ED.) | | ModĂšles naturels et scĂ©narios imaginaires | | Music in the London Theatre from Purcell to Handel | | Music Listening in the 19th and 20th centuries | | Musique contemporaine en OuzbĂ©kistan | | Rubens et la musique | | The Cambridge History of 16th century Music | | | | | The Oxford Handbook | | | | Epitome musical | | The Cambridge history of music | | HERMANN | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | PETRA | | BREPOLS | | CAMBRIDGE UNIVERSITY PRESS | | 32.00 € | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | EVERIST MARK ED. | | PORCELLI MARIA PAOLA | | HARTT JARED C. | | ANNEGRET FAUSER | | DIDIER FRANCFORT | | COLLECTIF | | The Cambridge History of Medieval Music | | Au milieu du thĂ©Ăątre | | A critical companion to medieval motets | | Musical encounters at the 1889 Paris World's Fair | | Le chant des nations : musiques et cultures en Europe : 1870-1914 | | German baroque sacred music : Passion - Resurrection | | | | | | | | | | | Ricercar | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | BOYDELL PRESS | | UNIVERSITY OF ROCHESTER PRESS | | HACHETTE | | OUTHERE MUSIC | | | 26.00 € | | | | | | | | |
 | |  | |  | |  | |  | |  | | KATELIJNE SCHILTZ | | JANKE ANDREAS / NADAS JOHN | | FROLOVA-WALKER MARINA | | PASCAL ORY | | CRITIQUE REVUE | | GIANMARIO DIR. BORIO | | Music and Riddle Culture in the Renaissance | | The San Lorenzo Palimpsest | | Music and soviet power 1917-1932 | | La belle illusion | | Musique(s) : pour une gĂ©nĂ©alogie du contemporain (n° 639) | | Musical Listening in the Age of Technological Reproduction | | | | | | | Biblis | | | | | | CAMBRIDGE UNIVERSITY PRESS | | LIM | | BOYDELL PRESS | | CNRS EDITIONS | | MINUIT | | ASHGATE PUBLISHING | | | | | 42.10 € | | | | | | |
|
 | |  | |  | |  | |  | |  | | CAROLINE BEC | | JOHANNIS GARLANDIA | | BUSSE BERGER ANNA MARIA | | ROBERT PHILIP | | ISABELLE HIS | | LAWRENCE KRAMER | | Les comĂ©diennes-chanteuses Ă Madrid au XVIIIe siĂšcle : 1700-1767 | | Musica plana | | The Cambridge companion to 15th century music | | Early Recordings and Musical Style: Changing Tastes in Instrumental Performance | | Claude Le Jeune, 10 Pseaumes en forme de motets (1564) | | Music as cultural practice 1800-1900 | | BibliothĂšque d'histoire moderne et contemporaine, n° 54 | | | | | | | | | | | | CHAMPION | | VALENTIN KOERNER | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | BREPOLS | | UNIVERSITY OF CALIFORNIA PRESS | | | | | | | 53.80 € | | | | |
|
 | |  | |  | |  | |  | |  | | ANDREW DELL'ANTONIO | | TIM CARTER | | LA DIRECTION DE GEORGES BLOESS SOUS | | ANNE PIĂJUS | | KOTTICK EDWARD L. | | RICHARD WAGNER / COSIMA WAGNER / ARTHUR GOBINEAU | | Listening as spiritual practice in Early Modern Italy | | The Cambridge History of Seventeenth-Century Music | | Destruction, crĂ©ation, rythme : l'expressionnisme, une esthĂ©tique du conflit | | Musique et dĂ©votion Ă Rome Ă la fin de la Renaissance | | The Harpsichord Owner's Guide: A Manual for Buyers and Owners | | Correspondance : 1880-1882 | | | | | | | | | | | | | UNIVERSITY OF CALIFORNIA PRESS | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | BREPOLS | | UNIVERSITY OF NORTH CAROLINA PRESS | | NIZET | | | | | 42.00 € | | | | | | 42.00 € |
|
 | |  | |  | |  | |  | |  | | JOHN SPITZER | | GUY DELHASSE | | MILLINGTON BARRY DIR. | | FRANĂOISE ESCAL | | JOHN HAINES | | KAREN PAINTER | | American Orchestras in the Nineteenth Century | | Petits lieux Ă chansons de Belgique : 1950-2012 | | Wagner, guide raisonnĂ© | | La musique et le romantisme | | Eight Centuries of Troubadours and Trouveres | | Symphonic aspirations : German music and politics, 1900-1945 | | | Cabaret | | Musique | | Univers musical | | | | | | UNIVERSITY OF CHICAGO PRESS | | L'HARMATTAN | | FAYARD | | L'HARMATTAN | | CAMBRIDGE UNIVERSITY PRESS | | HARVARD UNIVERSITY PRESS | | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | FRANĂOIS MADURELL | | MARK J. BUTLER | | JOHN HAINES | | THOMAS RAVIER | | ANDREW TALLE | | SARRASIN ROBICHAUD PHILIPPE | | L'ensemble Ars nova | | Playing with Something That Runs | | Chants du diable, chants du peuple : voyage en musique dans le Moyen Age | | Sans le baroque, la musique serait une erreur | | Beyond Bach: Music and Everyday Life in the Eighteenth Century | | LâHomme-clavecin, une analogie diderotienne | | Univers musical | | | | | | Variations XXXII | | | | L'Europe des LumiĂšres, n° 55 | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | BREPOLS | | LĂO SCHEER | | ILLINOIS UP | | CLASSIQUES GARNIER | | 52.00 € | | | | | | 16.00 € | | | | 29.00 € |
|
 | |  | |  | |  | |  | |  | | JACOB FRANĂOIS / MOREL NICOLAS | | KEVIN KORSYN | | FRITSCH MELANIE / SUMMERS TIM | | BRADLEY CATHERINE A. / DESMOND KAREN | | CRAIG MONSON | | SUMMER ROBERT J. | | Nota Bene : de la musique avec Rousseau | | Decentering music : a critique of contemporary musical research | | The Cambridge Companion to Video Game Music | | The Montpellier Codex : the final fascicle | | Divas in the convent | | Renaissance Music for the Choral Conductor: A Practical Guide | | MĂ©moires et Documents sur Voltaire | | | | | | | | | | | | LA LIGNE D'OMBRE | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | BOYDELL PRESS | | CHICAGO U.P. | | SCARECROW PRESS | | | | | | | | | 56.50 € | | 61.00 € |
| |
