| | | | |  | |  | |  | |  | |  | |  | | DREZE CÉLINE / GUILLOUX FABIEN | | FENLON IAIN / WISTREICH RICHARD (ED.) | | EVERIST MARK ED. | | PORCELLI MARIA PAOLA | | HARTT JARED C. | | ANNEGRET FAUSER | | Rubens et la musique | | The Cambridge History of 16th century Music | | The Cambridge History of Medieval Music | | Au milieu du théâtre | | A critical companion to medieval motets | | Musical encounters at the 1889 Paris World's Fair | | Epitome musical | | The Cambridge history of music | | | | | | | | | | BREPOLS | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | BOYDELL PRESS | | UNIVERSITY OF ROCHESTER PRESS | | | | | | | 26.00 € | | | | |
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 | |  | |  | |  | |  | |  | | DIDIER FRANCFORT | | COLLECTIF | | KATELIJNE SCHILTZ | | JANKE ANDREAS / NADAS JOHN | | FROLOVA-WALKER MARINA | | PASCAL ORY | | Le chant des nations : musiques et cultures en Europe : 1870-1914 | | German baroque sacred music : Passion - Resurrection | | Music and Riddle Culture in the Renaissance | | The San Lorenzo Palimpsest | | Music and soviet power 1917-1932 | | La belle illusion | | | Ricercar | | | | | | | | Biblis | | HACHETTE | | OUTHERE MUSIC | | CAMBRIDGE UNIVERSITY PRESS | | LIM | | BOYDELL PRESS | | CNRS EDITIONS | | | | | | | | | 42.10 € | | |
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 | |  | |  | |  | |  | |  | | CRITIQUE REVUE | | GIANMARIO DIR. BORIO | | CAROLINE BEC | | JOHANNIS GARLANDIA | | BUSSE BERGER ANNA MARIA | | ROBERT PHILIP | | Musique(s) : pour une généalogie du contemporain (n° 639) | | Musical Listening in the Age of Technological Reproduction | | Les comédiennes-chanteuses à Madrid au XVIIIe siècle : 1700-1767 | | Musica plana | | The Cambridge companion to 15th century music | | Early Recordings and Musical Style: Changing Tastes in Instrumental Performance | | | | | Bibliothèque d'histoire moderne et contemporaine, n° 54 | | | | | | | | MINUIT | | ASHGATE PUBLISHING | | CHAMPION | | VALENTIN KOERNER | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | | | 53.80 € |
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 | |  | |  | |  | |  | |  | | ISABELLE HIS | | LAWRENCE KRAMER | | ANDREW DELL'ANTONIO | | TIM CARTER | | LA DIRECTION DE GEORGES BLOESS SOUS | | ANNE PIÉJUS | | Claude Le Jeune, 10 Pseaumes en forme de motets (1564) | | Music as cultural practice 1800-1900 | | Listening as spiritual practice in Early Modern Italy | | The Cambridge History of Seventeenth-Century Music | | Destruction, création, rythme : l'expressionnisme, une esthétique du conflit | | Musique et dévotion à Rome à la fin de la Renaissance | | | | | | | | | | | | | BREPOLS | | UNIVERSITY OF CALIFORNIA PRESS | | UNIVERSITY OF CALIFORNIA PRESS | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | BREPOLS | | | | | | | | | 42.00 € | | |
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 | |  | |  | |  | |  | |  | | KOTTICK EDWARD L. | | RICHARD WAGNER / COSIMA WAGNER / ARTHUR GOBINEAU | | JOHN SPITZER | | GUY DELHASSE | | MILLINGTON BARRY DIR. | | FRANÇOISE ESCAL | | The Harpsichord Owner's Guide: A Manual for Buyers and Owners | | Correspondance : 1880-1882 | | American Orchestras in the Nineteenth Century | | Petits lieux à chansons de Belgique : 1950-2012 | | Wagner, guide raisonné | | La musique et le romantisme | | | | | | | Cabaret | | Musique | | Univers musical | | UNIVERSITY OF NORTH CAROLINA PRESS | | NIZET | | UNIVERSITY OF CHICAGO PRESS | | L'HARMATTAN | | FAYARD | | L'HARMATTAN | | | 42.00 € | | | | | | | | |
 | |  | |  | |  | |  | |  | | JOHN HAINES | | KAREN PAINTER | | FRANÇOIS MADURELL | | MARK J. BUTLER | | JOHN HAINES | | THOMAS RAVIER | | Eight Centuries of Troubadours and Trouveres | | Symphonic aspirations : German music and politics, 1900-1945 | | L'ensemble Ars nova | | Playing with Something That Runs | | Chants du diable, chants du peuple : voyage en musique dans le Moyen Age | | Sans le baroque, la musique serait une erreur | | | | | Univers musical | | | | | | Variations XXXII | | CAMBRIDGE UNIVERSITY PRESS | | HARVARD UNIVERSITY PRESS | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | BREPOLS | | LÉO SCHEER | | | | | 52.00 € | | | | | | 16.00 € |
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 | |  | |  | |  | |  | |  | | ANDREW TALLE | | JACOB FRANÇOIS / MOREL NICOLAS | | KEVIN KORSYN | | FRITSCH MELANIE / SUMMERS TIM | | BRADLEY CATHERINE A. / DESMOND KAREN | | CRAIG MONSON | | Beyond Bach: Music and Everyday Life in the Eighteenth Century | | Nota Bene : de la musique avec Rousseau | | Decentering music : a critique of contemporary musical research | | The Cambridge Companion to Video Game Music | | The Montpellier Codex : the final fascicle | | Divas in the convent | | | Mémoires et Documents sur Voltaire | | | | | | | | | | ILLINOIS UP | | LA LIGNE D'OMBRE | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | BOYDELL PRESS | | CHICAGO U.P. | | | | | | | | | | | 56.50 € |
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 | |  | |  | |  | |  | |  | | SUMMER ROBERT J. | | BOYD MALCOLM (DIR.) | | JENNIFER BAIN | | CARBONNIER YOURI / DURON JEAN | | LATTARICO JEAN-FRANÇOIS | | BOISSEAU JEAN-THIERRY | | Renaissance Music for the Choral Conductor: A Practical Guide | | Music and the French Revolution | | Hildegard of Bingen and musical reception | | Charles Gauzargues : un musicien de la Chapelle royale entre Nîmes et Versailles | | Busenello : un théâtre de la rhétorique | | Histoires de la musique | | | | | | | La vie musicale en France sous les rois Bourbons, n° 35 | | Lire le xviie siècle, n° 23 | | Sémiotique et philosophie de la musique | | SCARECROW PRESS | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | PICARD | | CLASSIQUES GARNIER | | L'HARMATTAN | | 61.00 € | | 41.50 € | | | | 20.00 € | | 49.00 € | | 16.00 € |
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