| | | | |  | |  | |  | |  | |  | |  | | BAERTSOEN JEAN-CLAUDE | | MASSON MARIE-NOËLLE (DIR.) | | NICHOLAS BARAGWANATH | | BAERTSOEN JEAN-CLAUDE | | TUREK RALPH / MCCARTHY DANIEL | | DURAND EMILE | | Créatif, vol. 3 : approche globale | | Entre théorie et analyse musicale | | The Solfeggio tradition | | Créatif, vol. 4 : la mobilité | | Theory for today's musician (second edition) | | Traité de composition musicale | | | | | | | | | | | | | DELATOUR | | DELATOUR | | OXFORD UNIVERSITY PRESS | | DELATOUR | | ROUTLEDGE | | BNF | | | 32.00 € | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | R. DODDS MICHAEL | | LA DIRECTION DE LAURENT POTTIER SOUS | | FRED LERDAHL | | KARIM HADDAD | | MARY LEWIS, | | LUMSDEN RACHEL / SWINKIN JEFFREY | | From Modes to Keys in Early Modern Music Theory | | Le calcul de la musique : composition, modèles & outils | | Tonal Pitch Space | | L'unité temporelle : une approche pour l'écriture de la durée et de sa quantific | | Antonio Gardano, Venetian Music Printer, 1538-1569, volume 3 | | The Norton Guide to Teaching Music Theory | | | Travaux-Centre interdisciplinaire d'études et de recherches sur l'expression contemporaine. Musicologie | | | | | | | | | | OXFORD UNIVERSITY PRESS | | PRESSES SAINT-ETIENNE | | OXFORD UNIVERSITY PRESS | | HERMANN | | ROUTLEDGE | | NORTON | | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | PIERO RATTALINO | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | MICHELE KASCHUB | | Gli Strumenti Musicali | | Créatif, vol. 11 : le deux-voix traditionnel | | Créatif, vol. 9 : l'accord VI et plusieurs autres | | Créatif, vol. 8 : système culbutant | | Créatif, vol. 7 : extension de la formule parfaite | | Experiencing music Composition in Grades 3-5 | | | | | | | | | | | | | RICORDI | | DELATOUR | | DELATOUR | | DELATOUR | | DELATOUR | | OXFORD UNIVERSITY PRESS | | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | JOHN FRANCESCHINA | | ZBIKOWSKI LAWRENCE M. | | DICK GROVE | | BYRON ALMEN | | MARY SIMONI | | FLORENS FRIEDRICH CHLADNI ERNST | | Music Theory through Musical Theatre: Putting It Together | | Foundations of Musical Grammar | | Basic harmony and theory applied to improvisation, vol. 2 | | A theory of musical narrative | | Algorithmic Composition: A Guide to Composing Music with Nyquist | | Ernst Florens Friedrich Chladni : le Traité d'acoustique | | | Oxford studies in music theory | | | | | | | | GREAM. Théorie de la musique | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | ALFRED MUSIC | | INDIANA UNIVERSITY PRESS | | UNIVERSITY OF MICHIGAN PRESS | | HERMANN | | | 51.00 € | | 26.64 € | | 36.40 € | | | | 39.00 € |
|
 | |  | |  | |  | |  | |  | | OLIVE, GIORDANO FERRARI, ALVARO OVIEDO ET FABIEN SAN MARTIN JEAN-PAUL | | JEANINE GAGNÉ | | VALLEJO ALAIN | | ZARLINO GIOSEFFO | | KOCH HEINRICH CHRISTOPH | | ELLIOTT ANTOKOLETZ | | Les possibles de l'écriture : forces, formes, sens | | Vocal Production & Recording | | Traite Pratique de la Transposition et de la Transcription Musicales | | Institutions harmoniques | | Versuch einer Anleitung zur Composition, 3 volumes | | The Musical Language of the Twentieth Century | | Arts 8. Compositions | | Livre | | Collection Pédago | | | | | | Quellen und Studien zur ... Music History from Antiquity to the Present | | L'HARMATTAN | | BERKLEE | | MEDIAMUSIQUE | | L'HARMATTAN | | GEORG OLMS | | PETER LANG | | 31.00 € | | 36.60 € | | 39.50 € | | 49.00 € | | 95.00 € | | 55.00 € |
| |
