| | | | |  | |  | |  | |  | |  | |  | | GUILLAUME PASTRE | | YIZHAK SADAÏ | | DONALD MAURICE | | STRAUS JOSEPH N. | | REVUE | | EUGENE HELM | | Un art de la cohérence : Different trains, Steve Reich | | Traité de sujets musicaux | | Bartok's Viola Concerto | | Introduction to post-tonal theory | | Musicorum, n° 2 (2003) | | Melody, harmony, tonality : an introduction | | Univers musical | | Musique et musicologie - Les dialogues | | Studies in Musical Genesis, Structure, and Interpretation | | | | | | | | L'HARMATTAN | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | NORTON | | PRESSES UNIVERSITAIRES FRANCOIS-RABELAIS | | ROWMAN & LITTLEFIELD | | 26.00 € | | | | | | | | 15.00 € | | |
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 | |  | |  | |  | |  | |  | | PETER SZENDY | | CHADWICK RODERICK / HILL PETER | | BACRI NICOLAS / WEYER SABINE | | CARL SCHATCHTER | | DENNIS SHROCK | | ANTHONY POPLE | | Emmanuel Nunes | | Olivier Messiaen's Catalogue d'oiseaux | | Eclairages | | The Art of Tonal Analysis | | Choral monuments | | Theory, analysis and meaning in music | | Cahiers de l'IRCAM (Les). Compositeurs d'aujourd'hui | | | | Musiques en question(s) | | | | | | | | L'HARMATTAN | IRCAM-CENTRE GEORGES POMPI | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | 19.00 € | | | | 45.00 € | | | | | | |
 | |  | |  | |  | |  | |  | | SCHMIDT-BESTE THOMAS | | MASSON MARIE-NOËLLE (DIR.) | | DUBOST THIERRY / SLABY ALEXANDRA | | HENRIETTE CANAC | | GOÏC FRANÇOIS | | MICHÈLE GONZALES | | The Sonata | | Entre théorie et analyse musicale | | Music and the Irish Imagination | | Debussy : Prélude l'après-midi d'un faune | | Sonates et Partitas pour violon seul de Jean-Sébastien Bach | | Bizet : L'Arlésienne | | Cambridge Introductions to music | | | | Symposia | | | | A.D.C.G. | | | | CAMBRIDGE UNIVERSITY PRESS | | DELATOUR | | PRESSES UNIVERSITAIRES DE CAEN | | LEDUC | | ADCG | | LEDUC | | | 32.00 € | | | | | | 28.00 € | | |
 | |  | |  | |  | |  | |  | | SZENDY PETER | | PIERRE GROUVEL | | PIERRE JAMME | | JEFFREY SWINKIN | | DAVID BEACH | | MATTHEW SANTA | | Arrangements, dérangements : la transcription musicale aujourd'hui | | Dutilleux : Tout un monde | | Carnet de bord pour mélomanes aventuriers | | Performative analysis : reimagining music theory for performance | | Explorations in Schenkerian analysis | | Anthology for Hearing Form: Musical Analysis with and without the score(2 volume | | Les cahiers de l'IRCAM | | | | HELMo - Ressources | | | | | | | | L'HARMATTAN | | LEDUC | | EDIPRO | | UNIVERSITY OF ROCHESTER PRESS | | UNIVERSITY OF ROCHESTER PRESS | | ROUTLEDGE | | 15.00 € | | | | 27.50 € | | | | | | |
 | |  | | | |  | |  | |  | | REVUE | | ZBIKOWSKI LAWRENCE M. | | REVUE | | REVUE | | REVUE | | REVUE | | Musurgia, vol. XV - n° 1-3 (2008) : Jean Sibelius | | Foundations of Musical Grammar | | Musurgia, vol. IV - n° 4 (1997) : CAPES - Agrégation 1998 | | Musurgia, vol. XIII - n° 4 (2006) | | Musurgia, vol. XIX - n° 4 (2012) | | Musurgia, vol. XIV - n° 2 (2007) | | | Oxford studies in music theory | | | | | | | | | | ESKA | | OXFORD UNIVERSITY PRESS | | ESKA | | ESKA | | ESKA | | ESKA | | | 51.00 € | | | | | | | | |
 | |  | |  | |  | |  | |  | | GIANFRANCO VINAY | | BODON-CLAIR JÉRÔME | | SIMON PHILIPPE | | BITSCH MARCEL | | FRÉDÉRIC CHASLIN | | CASTANET PIERRE-ALBERT | | Quaderno di strada de Salvatore Sciarrino | | Le langage de Steve Reich : l'exemple de Music for 18 musicians (1976) | | Antonin Dvorak ou L'effusion lyrique | | Frédéric Chopin Préludes Op.28 Vol.2 (13 à 24) | | La musique dans tous les sens | | Thierry Alla : ... un musicien à la conquête du timbre | | | Univers musical | | Mélophiles, n°16 | | Ricercare | | | | | | MICHEL DE MAULE | | L'HARMATTAN | | PAPILLON | | COMBRE | | FRANCE-EMPIRE | | DELATOUR | | 20.15 € | | 14.50 € | | 13.95 € | | 16.70 € | | 18.00 € | | 23.00 € |
 | | | | | | | | | | | | JOHN CURWEN | | | | | | | | | | | | The teacher's manual of the tonic sol-fa method | | | | | | | | | | | | | | | | | | | | | | | BOETHIUS PRESS | | | | | | | | | | | | 35.00 € | | | | | | | | | | |
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