| | | | |  | |  | |  | |  | |  | |  | | PETER WILLIAMS | | JEAN TULARD | | DAVID SCHULENBERG | | JOHN BUTT | | ERIC CHAFE | | TOPIQUE N° 128 REVUE | | Bach: A Musical Biography | | Rossini sous Napoléon | | The Music of Carl Philipp Emanuel Bach | | Bach's Dialogue with Modernity: Perspectives on the Passions | | Analyzing Bach Cantatas | | Entendre Wagner | | | | | | | | | | | La psychanalyse aujourd'hui | | CAMBRIDGE UNIVERSITY PRESS | | SPM | | UNIVERSITY OF ROCHESTER PRESS | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | L'ESPRIT DU TEMPS | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | DEBUSSY | | MARTA GRABOCZ | | SABINE FEISST | | MASSIMILIANO SALA | | OLIVIER TRACHIER | | COLLECTIF | | Chansons, recueil de mélodies dédiées à Marie-Blanche Vasnier | | Morphologie des oeuvres pour piano de Liszt | | Schoenberg's New World | | Giovanni Battista Viotti | | Hommage à Claude Le Jeune | | Cadmus et Hermione (1673) de Jean-Baptiste Lully et Philippe Quinault | | | | | Oxford Studies in Comparative Syntax Series | | | | | | Regards sur la musique - Études du Centre de musique baroque de Versailles | | CENTRE DE DOCUMENTATION CLAUDE DEBUSSY | | KIME | | OXFORD UNIVERSITY PRESS | | UT ORPHEUS | | EDITIONS DES ABBESSES | | MARDAGA |CENTRE DE MUSIQUE BAROQUE DE VE | | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | MICHÈLE REVERDY | | MICHEL PHILIPPOT | | FRANÇOIS BASCHET | | ALFRED DÜRR | | HENRY COWELL | | GONDOLO DELLA RIVA MASERA MARIA | | L'oeuvre pour orchestre d'Olivier Messiaen | | Diabolus in musica : les variations de Beethoven sur un thème de Diabelli | | Mémoires sonores | | The cantatas of J.S. Bach : with their librettos in German-English parallel text | | New musical resources | | Frédéric Chopin : aperçus biographiques | | | Musique et musicologie - Les dialogues | | L'écarlate | | | | | | | | LEDUC | | L'HARMATTAN L'ITINÉRAIRE | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | MICHEL DE MAULE | | 90.10 € | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | MÉLISANDE CHAUVEAU | | MORTON FELDMAN | | REVUE | | RALPH KIRKPATRICK | | JOHN WORTHEN | | POURTALÈS GUY DE | | Raconte-moi la musique - Moi, Chopin : journal imaginaire | | Écrits et paroles | | Études germaniques, n° 251 : Franz Liszt - Musique, médiation, interculturalité | | Domenico Scarlatti | | Robert Schumann : life and death of a musician | | Wagner : histoire d'un artiste | | Raconte-moi la musique | | Musique et musicologie | | | | | | | | | | DELATOUR | | L'HARMATTAN | | DIDIER ERUDITION | | PRINCETON UNIVERSITY PRESS | | YALE | | INFOLIO | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | HALSTEAD JILL | | PHILIP GAREAU | | JONES DAVID WYN | | STANLEY GLENN (DIR.) | | HOWARD SHORE | | ANTHONY POPLE | | Ruth Gipps Anti-Modernism, Nationalism and Difference in English Music | | La musique de Morton Feldman ou Le temps en liberté | | Haydn | | The Cambridge companion to Beethoven | | The Music of the Lord of the Rings Films | | Berg : Violin concerto | | | Univers musical | | Oxford composer companions | | | | Tout Instrument | | | | ROUTLEDGE | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | ALFRED | | CAMBRIDGE UNIVERSITY PRESS | | 105.50 € | | | | | | | | 87.50 € | | 37.00 € |
|
 | |  | |  | |  | |  | |  | | STEWART GORDON | | WOJCIECH BONKOWSKI | | HAINE MALOU / DUFETEL NICOLAS | | HARVEY SACHS | | JONATHAN CROSS | | MÂCHE FRANÇOIS-BERNARD | | Beethoven's 32 piano sonatas | | Editions of Chopin’s Works in the Nineteenth Century | | Franz Liszt : un saltimbanque en province | | The Ninth: Beethoven and the World in 1824 | | The Cambridge companion to Stravinsky | | Cent opus et leurs échos | | | Eastern European Studies in Musicology | | Perpetuum mobile | | | | | | Perspectives musicologiques contemporaines | | OXFORD UNIVERSITY PRESS | | PETER LANG | | SYMETRIE | | FABER & FABER | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | FAIRCLOUCH PAULINE (DIR.) | | RAMEAU | | CHRISTIAN GOUBAULT | | LECHNER-REYDELLET CATHERINE | | BETSY JOLAS | | MARK KROLL | | Shostakovich studies 2 | | Intégrale de l'oeuvre théorique, vol. 2 | | Igor Stravinsky | | Messiaen, l'empreinte d'un géant | | Molto espressivo | | Ignaz Moscheles and the Changing World of Musical Europe | | | Méthodes et traités | | Musichamp l'essentiel, n° 5 | | | | | | | | CAMBRIDGE UNIVERSITY PRESS | | FUZEAU | | CHAMPION | | SÉGUIER | | L'HARMATTAN L'ITINÉRAIRE | | BOYDELL PRESS | | | | | 36.00 € | | | | | | 60.00 € |
 | |  | |  | |  | |  | |  | | BURROWS DONALD ED. | | GLENDA GOSS | | LARRY TOOD | | DAVID GRUBBS | | HERVÉ RÉMOND | | DIDIER RAYMOND | | The Cambridge companion to Handel | | Sibelius: A Composer's Life and the Awakening of Finland | | Mendelssohn's musical education : a study and edition of his exercises in compos | | Les disques gâchent le paysage | | À la mémoire d'un ange | | Le cas Mozart | | | | | | | | | | | Sursum corda | | CAMBRIDGE UNIVERSITY PRESS | | UNIVERSITY OF CHICAGO PRESS | | CAMBRIDGE UNIVERSITY PRESS | | PRESSES DU REEL | | TALAIA | | LE PASSEUR | | | 70.60 € | | | | 26.00 € | | 18.00 € | | 15.50 € |
| |
