| | | | |  | |  | |  | |  | |  | |  | | ALEXANDER STEFANIAK | | TOM BEGHIN | | DAVID COOPER | | JEAN-FRANÇOIS ROBIN | | LASZLO SOMFAI | | GABRIELA PREISSOVA | | Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-C G | | Haydn and performance of rhetoric | | Béla Bartók | | Bach Jean Sébastien : naissance d'une vocation | | The keyboard sonatas of Joseph Haydn | | Jenufa : (Sa Belle-fille) | | | | | | | | | | | | | INDIANA UNIVERSITY PRESS | | CHICAGO U.P. | | YALE | | RIVENEUVE | | UNIVERSITY OF CHICAGO PRESS | | LE JARDIN D'ESSAI | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | DANIEL MELAMED | | HELEN SMITH | | BARBARA HEYMAN | | SCHMIEDER | | PETER WILLIAMS | | KRISTINA MUXFELDT | | An introducing to Bach studies | | There's a place for us : the musical theatre works of Leonard Bernstein | | Samuel Barber: A Thematic Catalogue of the Complete Works | | Bach-Werk-Verzeichnis; kleine Ausgage | | Bach, Handel, Scarlatti, 1685-1985 (Livre en anglais) | | Vanishing Sensibilities : Schubert, Beethoven, Schumann | | | | | | | | | | | | | OXFORD UNIVERSITY PRESS | | ASHGATE PUBLISHING | | OXFORD UNIVERSITY PRESS | | BREITKOPF | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | MICHEL FAUL | | GUNTHER BRAAM | | GEORGE PERLE | | LAKI PETER (DIR.) | | PAUL GRIFFITHS | | VAN RIJ INGE | | Les tribulations mexicaines de Nicolas-Charles Bochsa, harpiste | | The Portraits of Hector Berlioz (2 volumes) | | The operas of Alban Berg, vol 2: Lulu | | Bartók and his world | | La mer en feu : Jean Barraqué | | Brahms's song collections | | | | | | | | | | | | | DELATOUR | | BARENREITER | | UNIVERSITY OF CALIFORNIA PRESS | | PRINCETON UNIVERSITY PRESS | | HERMANN | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | 28.00 € | | |
 | |  | |  | |  | |  | |  | | RICHARD PERRIN | | DAVID CHARLTON | | JANE F. (SOUS LA DIRECTION DE) FULCHER | | MICHÈLE LHOPITEAU-DORFEUILLE | | RAYMOND HOLDEN | | CAULLIER JOËLLE (ÉD.) | | Les 4 variations de Philippe Hurel : analyse de l'hétérogène | | Grétry and the growth of opéra-comique | | Debussy and his world | | Wolfgang Amadeo Mozart : rêver avec les sons | | Richard Strauss : a musical life | | C'est ainsi que l'on crée... : à propos de La main heureuse d'Arnold Schoenberg | | | | | | | | | | | Esthétique et sciences des arts | | L'HARMATTAN L'ITINÉRAIRE | | CAMBRIDGE UNIVERSITY PRESS | | PRINCETON UNIVERSITY PRESS | | LE BORD DE L'EAU | | YALE UNIVERSITY PRESS | | PRESSES UNIVERSITAIRES DU SEPTENTRION | | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | MILLINGTON BARRY DIR. | | FISCHER JENS MALTE | | DURON JEAN DIR. | | ANTHONY GIRARD | | JANE GLOVER | | WEAVER WILLIAM / PUCCINI SIMONETTA | | Wagner, guide raisonné | | Gustav Mahler | | Grétry en société | | Valéry Arzoumanov, compositeur hors du temps | | Mozart's women : his family, his friend, his music | | The Puccini companion : essays on Puccini's life and music | | Musique | | | | | | | | | | | | FAYARD | | YALE UNIVERSITY PRESS | | MARDAGA |CENTRE DE MUSIQUE BAROQUE DE VE | | A CIEL OUVERT | | HARPER | | NORTON | | | | | | | 20.00 € | | | | |
 | |  | |  | |  | |  | |  | | NATASHA LOGES | | YANNICK SIMON, | | VINCENT BOREL | | JORGE MORALES | | ALEXANDER REHDING | | GOUNOD | | Brahms and his poets | | Wagner vu de Rouen | | La vigne écarlate | | Sigismondo D’India et ses mondes | | Beethoven's symphony n° 9 | | Charles Gounod : cantates et musiques sacrées | | | Changer d'époque | | Littérature | | | | Oxford keynotes | | Palazzetto Bru Zane / Prix de Rome, n° 6 | | BOYDELL PRESS | | PRESSES UNIVERSITAIRES DE ROUEN ET DU HA | | SABINE WESPIESER | | BREPOLS | | OXFORD UNIVERSITY PRESS | | EDICIONES SINGULARES | | | 15.00 € | | | | | | | | |
 | |  | |  | |  | |  | |  | | PETER HOLMAN | | SUSAN YOUENS | | ROBERT RICHARD | | GALLARD JEAN-CLAUDE | | RAPHAELLE DOUBLIER | | GEOFFREY BLOCK | | Dowland : Lachrimae (1604) | | Schubert's poets and the making of lieder | | Éblouissement : Gilles Tremblay et la musique contemporaine | | Le dernier Schoenberg : synthèse et dépassement | | Les aventures de Mercure, 1924 | | Ives : Concord sonata : piano sonata no. 2 | | Cambridge music handbooks | | | | | | | | | | | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | NOTA BENE | | ANRT | | L'HARMATTAN | | CAMBRIDGE UNIVERSITY PRESS | | | | | 23.50 € | | 39.00 € | | 21.50 € | | 29.50 € |
|
 | |  | |  | |  | |  | |  | | MICHAEL MARISSEN | | JENNIFER BAIN | | L. BESADA JOSÉ | | CARBONNIER YOURI / DURON JEAN | | EMILY I. DOLAN | | DORFMÜLLER | | Bach's oratorios : the parallel German-English texts, with annotations | | Hildegard of Bingen and musical reception | | Metamodels in compositional practices : the case of Alberto Posada's Liturgia | | Charles Gauzargues : un musicien de la Chapelle royale entre Nîmes et Versailles | | The orchestral revolution : Haydn and the technologies of timbre | | Catalogue thématique des oeuvres de Beethoven | | | | | Musiques Sciences IRCAM-Centre Georges Pompidou | | La vie musicale en France sous les rois Bourbons, n° 35 | | | | | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | DELATOUR | | PICARD | | CAMBRIDGE UNIVERSITY PRESS | | HENLE | | 44.10 € | | | | 29.00 € | | 20.00 € | | | | |
| |
