| | |
| |  | |  | |  | |  | |  | |  | | CHERUBINI | | HENRI CHALLAN | | LUMSDEN RACHEL / SWINKIN JEFFREY | | PIERO RATTALINO | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | Marches d'harmonie pratiquées dans la composition | | Mélodies instrumentales à harmoniser, vol. 15 (Debussy) | | The Norton Guide to Teaching Music Theory | | Gli Strumenti Musicali | | Créatif, vol. 11 : le deux-voix traditionnel | | Créatif, vol. 9 : l'accord VI et plusieurs autres | | | | | | | | | | | | | HACHETTE | | LEDUC | | NORTON | | RICORDI | | DELATOUR | | DELATOUR | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | PIERRE JAMME | | JEFFREY SWINKIN | | DAVID BEACH | | MICHELE KASCHUB | | CrĂ©atif, vol. 8 : systĂšme culbutant | | CrĂ©atif, vol. 7 : extension de la formule parfaite | | Carnet de bord pour mĂ©lomanes aventuriers | | Performative analysis : reimagining music theory for performance | | Explorations in Schenkerian analysis | | Experiencing music Composition in Grades 3-5 | | | | | HELMo - Ressources | | | | | | | | DELATOUR | | DELATOUR | | EDIPRO | | UNIVERSITY OF ROCHESTER PRESS | | UNIVERSITY OF ROCHESTER PRESS | | OXFORD UNIVERSITY PRESS | | | | | 27.50 € | | | | | | |
 |
 | |  | |  | |  | |  | |  | | JOHN FRANCESCHINA | | MATTHEW SANTA | | REVUE | | DE COSMO EMILE / DE COSMO LAURA | | ZBIKOWSKI LAWRENCE M. | | REVUE | | Music Theory through Musical Theatre: Putting It Together | | Anthology for Hearing Form: Musical Analysis with and without the score(2 volume | | Musurgia, vol. XV - n° 1-3 (2008) : Jean Sibelius | | The Diatonic Cycle | | Foundations of Musical Grammar | | Musurgia, vol. IV - n° 4 (1997) : CAPES - AgrĂ©gation 1998 | | | | | | | Tout Instrument | | Oxford studies in music theory | | | | OXFORD UNIVERSITY PRESS | | ROUTLEDGE | | ESKA | | HAL LEONARD | | OXFORD UNIVERSITY PRESS | | ESKA | | | | | | | 23.20 € | | 51.00 € | | |
 | |  | |  | |  | |  | |  | | ALAIN ABBOTT | | REVUE | | REVUE | | DICK GROVE | | REVUE | | GIANFRANCO VINAY | | 53 textes d'harmonie | | Musurgia, vol. XIII - n° 4 (2006) | | Musurgia, vol. XIX - n° 4 (2012) | | Basic harmony and theory applied to improvisation, vol. 2 | | Musurgia, vol. XIV - n° 2 (2007) | | Quaderno di strada de Salvatore Sciarrino | | | | | | | | | | | | | DELATOUR | | ESKA | | ESKA | | ALFRED MUSIC | | ESKA | | MICHEL DE MAULE | | 30.00 € | | | | | | 26.64 € | | | | 20.15 € |
 |
 | |  | |  | |  | |  | |  | | BYRON ALMEN | | MARY SIMONI | | DUHA ISABELLE | | BODON-CLAIR JĂRĂME | | FLORENS FRIEDRICH CHLADNI ERNST | | OLIVE, GIORDANO FERRARI, ALVARO OVIEDO ET FABIEN SAN MARTIN JEAN-PAUL | | A theory of musical narrative | | Algorithmic Composition: A Guide to Composing Music with Nyquist | | L'Ă©criture musicale Ă travers les styles 1 - REALISATIONS Harmonie Contrepoint | | Le langage de Steve Reich : l'exemple de Music for 18 musicians (1976) | | Ernst Florens Friedrich Chladni : le TraitĂ© d'acoustique | | Les possibles de l'Ă©criture : forces, formes, sens | | | | | | | Univers musical | | GREAM. ThĂ©orie de la musique | | Arts 8. Compositions | | INDIANA UNIVERSITY PRESS | | UNIVERSITY OF MICHIGAN PRESS | | BILLAUDOT | | L'HARMATTAN | | HERMANN | | L'HARMATTAN | | 36.40 € | | | | 29.10 € | | 14.50 € | | 39.00 € | | 31.00 € |
 |
 | |  | |  | |  | |  | |  | | JEANINE GAGNĂ | | GOMINET-BRUN JULIEN | | VALLEJO ALAIN | | JEAN-CLĂMENT JOLLET | | SIMON PHILIPPE | | BITSCH MARCEL | | Vocal Production & Recording | | L'Harmonie universelle de Marin Mersenne : musique et littĂ©rature au XVIIe siĂšcl | | Traite Pratique de la Transposition et de la Transcription Musicales | | Textes pour l'harmonie : Extraits d'Ćuvres du rĂ©pertoire | | Antonin Dvorak ou L'effusion lyrique | | FrĂ©dĂ©ric Chopin PrĂ©ludes Op.28 Vol.2 (13 Ă 24) | | Livre | | LumiĂšre classique, n°129 | | Collection PĂ©dago | | FMS | | MĂ©lophiles, n°16 | | Ricercare | | BERKLEE | | CHAMPION | | MEDIAMUSIQUE | | BILLAUDOT | | PAPILLON | | COMBRE | | 36.60 € | | 85.00 € | | 39.50 € | | | | 13.95 € | | 16.70 € |
 |
 | |  | |  | |  | |  | |  | | MANUEL GAULHAC / JEAN-MARC CHOUVEL | | JOHN CORBETT | | ANTHONY GIRARD | | TERESA DAVIDIAN | | BERLIOZ | | MARIN MERSENNE | | La musique-science devant la question de lâharmonie 1722-2022 trois siĂšcles du | | Improvisation libre : manuel d'Ă©coute | | Techniques d'orchestration vol.1 | | Tonal Counterpoint for the 21st-Century Musician: an introduction | | De l'instrumentation | | Harmonie universelle (OCCASION) | | Musique Sciences | | | | | | | | | | | | DELATOUR | | LENKA LENTE | | AGIR ĂDITIONS | | ROWMAN & LITTLEFIELD | | CASTOR ASTRAL | | CNRS EDITIONS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | AUGUSTE SERIEYX | | THĂODORE DUBOIS | | FETIS FRANĂOIS-JOSEPH | | ANNA BUTTERWORTH | | LAURENT BRUN | | LOUIS-MARC SUTER | | Cours de grammaire musicale | | Notes et Ă©tudes d'harmonie | | TraitĂ© complet de la thĂ©orie et de la pratique de l'harmonie | | Harmony in pratice | | De l'improvisation Ă la composition | | Le langage musical de l'Europe Occidentale : Tome 2 | | | | | | | | | | | | | HEUGEL | | HEUGEL | | BRANDUS | | ABRSM | | PALIMPSESTE | | MARDAGA | | | | | | | | | | | |
| |
| |
|