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| |  | |  | |  | |  | |  | |  | | DANIELLE ROBINSON | | JAMES GRIER | | FRANCESCA BRITTAN | | DURAFOUR JEAN-MICHEL | | CLAIRE CLOUET | | CHRISTIAN PARIOT | | Modern moves : dancing race during the ragtime and jazz eras | | Notation musical in the West | | Music and fantasy in the Age of Berlioz | | Hawks, cinéaste du retrait | | La diaspora de la chambre 107 | | Indirimbo : le chant dans la tradition burundaise ou le génie de l'oralité | | | | | | | | | | | | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | PRESSES UNIVERSITAIRES DU SEPTENTRION | | MF | | L'HARMATTAN | | | | | | | | | | | |
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 | |  | |  | |  | |  | |  | | AUGUSTIN VOEGELE | | JOHN PLANER | | ROMAIN BENINI | | PHILIPPE SERRIER | | REBECCA CYPESS | | SALTZSTEIN JENNIFER (DIR.) | | Musique et désir chez André Gide | | La musique liturgique dans la communauté israélite de Strasbourg | | Filles du peuple ? Pour une stylistique de la chanson au XIXe siècle | | Hélène en point d'orgue | | Women and Musical Salons in the Enlightenment | | Musical culture in the world of Adam de la Halle | | Bibliothèque gidienne, n° 15 | | | | | | | | | | Brill's Companions to the Musical Culture of Medieval and Early Modern Europe | | CLASSIQUES GARNIER | | DO BENTZINGER | | ENS LYON | | L'HARMATTAN | | CHICAGO U.P. | | BRILL | | | | | | | 20.50 € | | | | |
 | |  | |  | |  | |  | |  | | DAROL GUY / BOURLAUD LAURENT | | HELLWIG-UNRUH RENATE | | PIERRE FARGETON | | ANGELA MARIANI | | BODMAN RAE CHARLES | | DE LUCCA VALERIA | | Moondog | | Fanny Hensel | | Boppin' with Django | | Improvisation and Inventio in the Performance of Medieval Music | | The music of Lutoslawski | | The Politics of Princely Entertainment | | Supersoniques | | | | Pensée musicale | | | | | | | | PHILHARMONIE DE PARIS | | KUNZELMANN | | DELATOUR | | OXFORD UNIVERSITY PRESS | | OMNIBUS PRESS | | OXFORD UNIVERSITY PRESS | | 13.00 € | | | | | | | | 36.98 € | | |
 | |  | |  | |  | |  | |  | | GLIXON BETH & JONATHAN | | DOMINIQUE RENIERS | | JENNIFER IVERSON | | COLLECTIF | | CABOT JEAN-SYLVAIN | | OWEN REES | | Inventing the business of opera | | Beethoven en 250 anecdotes | | Electronic Inspirations | | Ecrire comme composer : le rôle des diagrammes | | Eric Clapton : blues power | | The Requiem of Tomás Luis de Victoria (1603) | | | Univers musical | | | | | | Musiques | | | | OXFORD UNIVERSITY PRESS | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | DELATOUR | | LE MOT ET LE RESTE | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | 22.00 € | | |
 | |  | |  | |  | |  | |  | | HATTIER JANE D. | | MARK EVERIST | | KAREN DESMOND | | NATHAN WADDELL | | JULIAN JOHNSON | | ANNA BULL | | Composing community in late medieval music | | Discovering medieval song | | Music and the moderni, 1300-1350 | | Moonlighting : Beethoven and literary modernism | | After Debussy | | Class, Control, and Classical Music | | | | | | | | | | | | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | | | | 144.70 € | | | | | | |
 | |  | |  | |  | |  | |  | | DE MURS JEAN | | SALA LUCA LÉVI / STEWART-MACDONALD ROHAN | | NORBERT ROULAND | | GEORGINA BORN | | CERVINO, MARIA LETTBERG, TÂNIA LISBOA, CATHERINE LAWS ALESSANDRO | | BORN G. / LEWIS E. / STRAW W. | | Ecrits sur la musique | | Muzio Clementi and the British musical culture | | A la découverte des femmes artistes : une histoire de genre | | Rationalizing culture | | The Practice of Practising (Collected Writings of the Orpheus Institute) | | Improvisation and social aesthetics | | Sciences de la musique | | | | Inter-normes | | | | Orpheus Institute | | | | CNRS EDITIONS | | ROUTLEDGE | | PUAM | | UNIVERSITY OF CALIFORNIA PRESS | | LEUVEN | | DUKE UNIVERSITY PRESS | | | | | | | | | 33.00 € | | |
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 | |  | |  | |  | |  | |  | | MARIANNA RITCHEY | | ROGER NICHOLS | | GOPINATH SUMANTH / SIÔN PWYLL AP | | FORSDICK CHARLES / MURPHY DAVID | | GASCH STEFAN / TRÖSTER SONJA | | FRANÇOIS FRIMAT | | Composing capital : classical music in the Neoliberal Era | | Poulenc : A biography | | Rethinking Reich | | Francophone Postcolonial studies | | Ludwig Senfl : a catalogue raisonné vol.1 | | Qu'est-ce que la danse contemporaine ? | | | | | | | Hodder Education | | Epitome musical | | | | CHICAGO U.P. | | YALE | | OXFORD UNIVERSITY PRESS | | ROUTLEDGE | | BREPOLS | | PUF | | 49.80 € | | | | | | 42.90 € | | | | |
 | |  | |  | |  | |  | |  | | JULIE RUOCCO | | MROZOWICKI PAUL MICHAL | | FRANCESCO RAPAZZINI | | BENARD-GOUTOULY NADÈGE | | POIRIER ALAIN (DIR.) | | DORF SAMUEL N. | | Et si jouer était un art ? | | Richard Wagner et sa réception en France, vol.3 | | Damia : une diva française | | Le métal folklorique, entre tradition et modernité | | 40 ans : Conservatoire national supérieur musique et danse de Lyon | | Performing Antiquity | | | | | | | | | | | | | L'HARMATTAN | | SYMETRIE | | BARTILLAT | | CAMION BLANC | | CNSMD LYON | | OXFORD UNIVERSITY PRESS | | | 37.00 € | | | | | | | | |
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