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| JOHN RINK | | JOSHUA S. WALDEN | | DEN TOORN PIETER VAN | | EMILIO SALA | | JULIAN RUSHTON | | SIMON MCVEIGH |
| The practice of performance : studies in musical interpretation | | Representation in Western Music | | Stravinsky and the Russian period : sound and legacy of a musical idiom | | The Sounds of Paris in Verdi's La traviata | | W. A. Mozart: Don Giovanni | | Concert life in London from Mozart to Haydn |
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| DAVID DAMSCHRODER | | BEN EARLE | | SPOHR | | IAIN FENLON | | DEBORAH MAWER | | ANNA ZAYARUZNAYA |
| Harmony in Haydn and Mozart | | Luigi Dallapiccola and Musical Modernism in Fascist Italy | | Louis Spohr's Autobiography: Translated from the German | | Heinrich Glarean's Books | | French Music and Jazz in Conversation: From Debussy to Brubeck | | The monstruous New Art |
| | Music Since 1900 | | Cambridge Library Collection - Music Series | | | | Music since 1900 | | |
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| HELEN DEEMING | | KAREN HENSON | | VICTOR COELHO | | SIMON ED. KEEFE | | SIMON KEEFE | | SUZANNE ASPDEN |
| Manuscripts and Medieval Song | | Opera Acts: Singers and Performance in the late 19th century | | Instrumentalists and Renaissance culture, 1420-1600 | | Mozart Studies | | Mozart Studies 2 | | The Rival Sirens: Performance and Identity on Handel's Operatic Stage |
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| PETER WILLIAMS | | EMILY KILPATRICK | | LAWRENCE KRAMER | | SUSAN RUTHERFORD | | HEYER | | BRAND BENJAMIN / ROTHENBERG DAVID J. |
| The Organ Music of Bach vol 3 : a background | | The operas of Maurice Ravel | | Franz Schubert : sexuality - subjectivity - song | | Verdi, opera, women | | The Lure and Legacy of Music at Versailles | | Music and culture in the Middle Ages and Beyond |
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| DAVID KIMBELL | | CHRISTOPHER PAGE | | JAMES WEBSTER | | BALTHAZAR SCOTT L. | | HARWELL CELENZA ANNA | | JOANNA BULLIVANT |
| Handel on stage | | The guitar in Stuart England : a social and musical history | | Opera Buffa in Mozart's Vienna | | The Cambridge Companion to Verdi | | The Cambridge companion to Gerschwin | | Alan Bush, Moderne Music and the Cold War |
| | | | | | | | Cambridge Companions - Music | | |
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| LAURA DOLP | | CATHERINE BRADLEY | | COOK N. / INGALLS M.M / TRIPPETT D. | | TOMITA YO / LEAVER ROBIN / SMACZNY JAN (DIR.) | | PAUL HARRIS | | JOHN POTTER |
| Arvo Pärt's White Light | | Polyphony in Medieval Paris | | The Cambridge Companion to Music in Digital Culture | | Exploring Bach's B-minor Mass | | The Cambridge clarinet tutor | | Vocal authority ; singing style and ideology |
| | Music in Context | | | | | | | | |
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| KAREN DESMOND | | MARK EVERIST | | HATTIER JANE D. | | OWEN REES | | FRANCESCA BRITTAN | | JAMES GRIER |
| Music and the moderni, 1300-1350 | | Discovering medieval song | | Composing community in late medieval music | | The Requiem of Tomás Luis de Victoria (1603) | | Music and fantasy in the Age of Berlioz | | Notation musical in the West |
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| BLAKE WILSON | | BENETT ZON | | MCCLELLAND RYAN / HARTENBERGER RUSSELL | | DANIEL M. GRIMLEY | | ANDREW SHENTON | | HEAD AND SUSAN WOLLENBERG MATTHEW |
| Singing to the Lyre in Renaissance Italy | | Evolution and Victorian Musical Culture | | The Cambridge Companion to Rythm | | Delius and the sound of place | | Arvo Pärt's resonant texts : choral and organ music 1956-2015 | | The Cambridge Companion to Women Composers |
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| | | | | | | | | | 35.40 € |