De Clavicordio XI
Bernard BRAUCHLI

Alfons Huber A USEFUL METHOD TO FIND A SUITABLE TEMPERAMENT FOR FRETTED CLAVICHORDS
Michael Tsalka AN INTRODUCTION TO THE KEYBOARD
CAPRICCIOS BY JOHANN BAPTIST WANHAL
Tomoko Akatsu Miyamoto A PRACTICAL INTRODUCTION TO THE CLAVICHORD
Menno van Delft CARL PHILIPP EMANUEL BACH’S ‘DAMEN-SONATEN’
José Erasmo Estrada ‘MAN GEWÖHNT SICH…DIE TASTEN GAR ZU SEHR ZU SCHMEILCHEN’: SOME CONSIDERATIONS ON TOUCH AT THE CLAVICHORD
Julian Gammon VIRTUAL TEACHING : C.P.E. BACH’S VERSUCH AS A PEDAGOGICAL MEDIUM
Ingrid E. Hagen SHARING THE AFFECTS OF THE MUSIC
Christopher Hogwood THE PRACTICE OF PRELUDING
Joan Benson (in absentia) THOUGHTS ON THE PEDAL CLAVICHORD BY CLAAS DOUWES (THE NETHERLANDS, 1699)
Albert Mühlböck RECOVERING THE CLAVICHORD FOR THE MODERN PIANIST
Edward C. Pepe THE MUSEO NACIONAL DE HISTORIA— CHAPULTEPEC CASTLE CLAVICHORD AND THE LIKELY IDENTIFICATION OF ITS BUILDER, JUAN FELIPE DE OLEA
Bernard Brauchli COMMUNICATION ABOUT ‘A COMPREHENSIVE LIST OF ICONOGRAPHICAL DOCUMENTS ON THE CLAVICHORD’
Alberto Galazzo INDEX