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Concerto pour Violon ré mineur (Menuhin)
Partition - Violon et Piano
PETERS
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Concerto pour Violon en mi mineur op. 64 - laflutedepan.comMENDELSSOHN BARTHOLDY FELIX
Concerto pour Violon en mi mineur op. 64
Partition - Violon et Piano
PETERS
17.72 €
Concerto Violon op. 64 mi mineur (Oistrach) - laflutedepan.comMENDELSSOHN BARTHOLDY FELIX
Concerto Violon op. 64 mi mineur (Oistrach)
Partition - Violon et Piano
PETERS
22.10 €
Violinkonzert e-moll op. 64 - laflutedepan.comMENDELSSOHN BARTHOLDY FELIX
Violinkonzert e-moll op. 64
Partition - Violon et Piano
HENLE VERLAG
27.73 €
Concerto Violon op. 64 mi mineur - laflutedepan.comMENDELSSOHN BARTHOLDY FELIX
Concerto Violon op. 64 mi mineur
Partition - Violon et Piano
BREITKOPF & HÄRTEL
21.40 €
Concerto Violon op. 64 mi mineur - laflutedepan.comMENDELSSOHN BARTHOLDY FELIX
Concerto Violon op. 64 mi mineur
Partition - Violon et Piano
IMC - INTERNATIONAL MUSIC
19.25 €
Hochzeitsmarsch op. 61 n° 9 - laflutedepan.comMENDELSSOHN BARTHOLDY FELIX
Hochzeitsmarsch op. 61 n° 9
Partition - Violon et Piano
SCHOTT
6.90 €
Sonate en Fa majeur - Bartholdy Felix Mendelssohn - laflutedepan.comMENDELSSOHN BARTHOLDY FELIX
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Partition - Violon et Piano
PETERS
23.50 €
  • Concerto op. 64 - Violon et Piano - laflutedepan.com


    Mis à jour le 22.10.18
  • Bartholdy Felix Mendelssohn
    Concerto op. 64 - Violon et Piano


    Concerto en mi mineur pour Violon et Orchestre (Réduction Piano) / Urtext / Edité par R. Larry Todd (2005) et Clive Brown (2018)

    Violon et Piano - Partition

    Bärenreiter Verlag

    Référence: BA9099-90
    Arrangeur : Clive Brown

    CORDES  >  Violon  >  Violon & piano


    23.15 €
     EN STOCK


    Mendelssohn’s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.




    Concerto op. 64 - Violon et Piano - laflutedepan.com
    23.15




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