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Concerto op. 64 - Violon et Piano - MENDELSSOHN - Partition - Violon

MENDELSSOHN
Concerto op. 64 - Violon et Piano


Concerto en mi mineur pour Violon et Orchestre (Réduction Piano) / Urtext / Edité par R. Larry Todd (2005) et Clive Brown (2018)

Violon et Piano - Partition

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Référence: BA9099-90
Arrangeur : Clive Brown

27.90 €
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Mendelssohn’s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.


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DANS LE MÊME RAYON ET SOUVENT ACHETÉ AVEC CONCERTO OP. 64 - VIOLON ET PIANO :
Concerto N° 5 la Majeur KV 219 MOZART Partition ViolonHavanaise, opus 83 SAINT-SAËNS Partition ViolonScottish Fantasy op. 46 BRUCH Partition ViolonConcerto pour violon KHATCHATURIAN Partition ViolonKonzert D-Moll für Violine SCHUMANN Partition ViolonIsraeli Concertino George Perlman Partition Violon
MOZARTSAINT-SAËNSBRUCHKHATCHATURIANSCHUMANNPERLMAN GEORGE
Concerto N° 5 la Majeur KV 219
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Havanaise, opus 83
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Scottish Fantasy op. 46
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Concerto pour violon
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Konzert D-Moll für Violine
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Israeli Concertino
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BÄRENREITERHENLESIMROCKCHANT DU MONDESCHOTTDE HASKE
21.70 €flutedepan_filet19.30 €flutedepan_filet27.50 €flutedepan_filet43.00 €flutedepan_filet27.50 €flutedepan_filet23.50 €flutedepan_filet
Concerto Pour Violon en Sol Mineur N°1 Op.26 BRUCH Partition ViolonConcerto Violon op. 64 mi mineur Oistrach MENDELSSOHN Partition ViolonConcerto N° 3 Sol Majeur KV 216 MOZART Partition ViolonSonate pour violon et piano DEBUSSY Partition ViolonSonate D-Moll op. 108 BRAHMS Partition ViolonPerpetuum Mobile Op.34 N°5 Franz Ries Partition Violon
BRUCHMENDELSSOHNMOZARTDEBUSSYBRAHMSRIES FRANZ
Concerto Pour Violon en Sol Mineur N°1 Op.26
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Sonate pour violon et piano
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Sonate D-Moll op. 108
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Perpetuum Mobile Op.34 N°5
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PETERSPETERSBÄRENREITERHENLEWIENER URTEXTSCHOTT
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