| TRIER PAR |
 CATĂGORIE |
 RAYONS LIVRES |
 STYLE |
| |  | |  | |  | |  | |  | |  | | FRANCK JEDRZEJEWSKI | | SOUS LA DIRECTION DE CATHERINE CESSAC ĂDITĂ | | RAUBER GRĂGORY | | CHARLES-DOMINIQUE LUC | | CANGUILHEM PHILIPPE | | DAVID ED. BURN | | La musique dodĂ©caphonique et sĂ©rielle : une nouvelle histoire | | Quel texte sous la musique ? | | Chanter par le si en France au XVIIe siĂšcle | | Histoire gĂ©nĂ©rale et anthropologie des musiques populaires en France Vol. 2 | | A l'ombre du laurier : musique et culture Ă Florence, 1530-1570 | | Music and Theology in the European Reformations | | Music, Science and Technology, n°3 | | Musique : sources, recherche, interprĂ©tation = Music : sources, research, performance | | Epitome musical | | Epitome musical | | Epitome musical | | | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | | 58.03 € | | 100.23 € | | 158.25 € | | 125.00 € | | |
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 | |  | |  | |  | |  | |  | | J. BURN (UNIVERSITY OF LEUVEN) SARAH ANN LONG (MICHIGAN STATE U) DAVID | | MICHELA NICCOLAI | | MARK EVERIST | | MASSIP CATHERINE / HERLIN DENIS (DIR.) | | RUDOLF RASCH | | CLIFF EISEN | | Journal of the Alamire Foundation 4/1 - 2012 | | Debussyâs PellĂ©as et MĂ©lisande : the staging by Albert CarrĂ© | | Meyerbeer and Grand OpĂ©ra from the July Monarchy to the Present | | Collectionner la musique vol 1: histoires d'une passion | | Music and Power in the Baroque Era | | Late Eighteenth-Century Music and Visual Culture | | | | | | | | | | | | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | 35.00 € | | 105.00 € | | 122.00 € | | 110.00 € | | | | |
 | |  | |  | |  | |  | |  | | YVES COLIN | | GIORGIO ANTONIOTTO | | BARONCINI | | LUISA NARDINI | | THOMAS LECONTE | | CHRISTIAN MEYER | | French Renaissance Music and Beyond | | LâArte Armonica or a Treatise on the Composition of Musick | | Giovanni Gabrieli.Transmission and Reception of a Venetian Musical Tradition | | Interlacing Traditions | | Les FĂ©es des forĂȘts de Saint-Germain, 1625 | | Catalogue des manuscrits notĂ©s du Moyen-Ăge | | | | | | | | | Ăpitome musical | | COLLECTION DU NORD | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | LEWIS PORTER | | MAURO CALCAGNO | | LIVIA PANCINO | | CHRISTOPHE GIRAUD | | MATSUMOTO | | ALEXANDRA NIGITO | | Jean Servin, Psalms | | Perspectives on Luca Marenzioâs Secular Music | | Johan Adolf Hasse - Giammario Ortes. Lettere. Edizione e commento | | Notre-Dame de Paris 1163-2013 | | Staging Verdi and Wagner | | Bernardo Pasquini - Le Cantate | | | | | | | | | | | | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | VINCENZO MANFREDINI | | ETIENNE JARDIN | | TESS KNIGHTON | | LISA COLTON | | MASSIMILIANO SALA | | SUAREZ GARCIA / SANCHEZ SOBRINO RAMON | | Vincenzo Manfredini, Regole armoniche | | Music and War in Europe from the French Revolution to WWI | | Hearing the City in Early Modern Europe | | Sources of Identity | | Music and the Second Industrial Revolution | | Symphonism in Nineteenth-Century Europe | | | | | | | | | | | | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | GREER (DIR.) GARDEN | | GASCH STEFAN / TRĂSTER SONJA | | FULVIA MORABITO | | MARTINE CLOUZOT | | LIVIO TICLI | | MORABITO FULVIA / LISTER WARWICK | | La DĂ©livrance de Renaud | | Ludwig Senfl : a catalogue raisonnĂ© vol.1 | | Musical Improvisation in the Baroque Era | | Images de musiciens (1350 - 1500) | | Figured Bass Accompaniment in Europe | | Pietro Antonio Locatelli: A Modern Artist in the Baroque Era | | | Epitome musical | | | | | | | | | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | PLUMLEY YOLANDA / STONE ANNE | | MARCELLO MAZZETTI | | NICCOLAI MICHELA | | ANNA CATTORETTI | | MATHIAS AUCLAIR | | MEDICIS FRANĂOIS DE | | A Late Medieval Songbook and its Context | | Basso Continuo in Italy | | La dramaturgie de Gustave Charpentier | | Giovanni Battista Sammartini and His Musical Environment | | Richard Strauss, une Symphonie alpestre | | La maturation artistique de Debussy dans son contexte historique (1884-1902) | | | | | Speculum musicae, n°17 | | | | | | Speculum musicae, n°38 | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | | | | | | 125.00 € | | | | 168.80 € |
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 | |  | |  | |  | |  | |  | | ILLIANO (ED) ROBERTO | | LAURA ALBIERO / CHRISTIAN MEYER | | DRATWICKI BENOĂT | | DENĂCHEAU, LAURENT GUILLO PASCAL | | ARAGIONE ET BEAT FĂLLMI GABRIELLA | | CLĂMENT, ISABELLE FABRE, GILLES POLIZZI ET FAĂCH THORAVAL GISĂLE | | Sound, Music and Architecture | | Fragments notĂ©s : Paris, Archives nationales ; Solesmes, abbaye Saint-Pierre | | De la scĂšne Ă lâalcĂŽve Les chanteurs de lâOpĂ©ra de Paris sous lâAncien RĂ©gime | | Les premiers copistes en musique français jusqu'Ă l'Ă©poque de Campra : | | Femmes de savoir et savoirs des femmes | | PoĂ©sie et musique Ă l'Ăąge de l'Ars subtilior : autour du manuscrit Torino BNU | | BOOK SERIES Music, Science and Technology, vol. 7 | | Catalogue des manuscrits notĂ©s du Moyen Age conservĂ©s dans les bibliothĂšques publiques de France, n°8 | | Centre de musique Baroque de Versailles | | Musique : sources, recherche, interprĂ©tation = Music : sources, research, performance | | Cahiers de Biblia Patristica, n°20 | | Epitome musical | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | | | | 150.00 € | | | | 47.48 € | | |
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